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Sources on art technology : back to basics : proceedings of the sixth symposium of the ICOM-CC Working Group for Art Technological Source Research, held at the Rijksmuseum, Amsterdam, 16-17 June 2014 / edited by Sigrid Eyb-Green, Joyce H. Townsend, Kathrin Pilz, Stefanos Kroustallis and Idelette van Leeuwen.

By: Contributor(s): Publisher: London : Archetype Publications, 2016Description: vii, 163 pages : illustrations (black and white, and colour), map (colour) ; 30 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781909492332
  • 1909492337
Subject(s):
Contents:
The painter's workshop as seen by Stradanus / Jan Piet Filedt Kok -- Back to basics: what do we do with art technological sources once we have found them? / William Whitney -- Back to the text: artists' recipe books as historical sources for research into art technology / Sylvie Neven -- Artists' treatises and recipe books: a discussion of authors, readers and users / Cristiana Pasqualetti -- Light-sensitive pigments discussed in early sources on photochemical imaging processes / Albrecht Pohlmann -- Eilido colours: sources relating to the introduction of coal-tar colours and their controversial reception in the early 20th century / Christoph Steuer -- Making paint in the 20th century: the Talens Archive / Bert Klein Ovink -- Recipes for deceit: documentary sources for the production of paintings forgeries from 1300 to 1900 / Jilleen Nadolny -- What's wrong with Thompson's Cennini? / Mark Clarke -- Compendium de coloribus collectum: a compendium of recipes in Palatine Ms. 981 of the Biblioteca Nazionale in Florence / Federica Ferla -- Pictoria, sculptoria et quae subaltenarum artium: is the de Mayerne manuscript unified or heterogeneous? / Cecile Parmentier -- Breaking the mould: a history of sand mould casting in Western Europe based on early written sources / Tonny P.C. Beentjes -- Interpreting lac dye in medieval written sources: new knowledge from the reconstruction of recipes relating to illuminations in Portuguese manuscripts / Maria Joao Melo -- 'To keep the colours fresh, alive and bright': the influence of preparatory layers on the durability of oil painting, according to North West European recipe books 1550-1900 / Maartje Stols-Witlox -- The Jesuit contribution to written art technological sources in the 17th and 18th centuries / Corinna Gramatke -- Liotard, Stoupan and the colours available to 18th-century European artists / Leila Sauvage -- Forming or transformation: the technology of horn working in sources, in practice and compared to objects / Christoph Krekel -- Shorter papers from poster presentations -- Unpublished 17th-century documents relevant to the production of artists' pigments / Arie Wallert -- De vitri coloribus: a treatise on glass or pottery working and colouring / Paola Travaglio -- Documentation of European recipes for glue lining paste / Rita Gil -- Zinc vitriol in late medieval oil painting: a preliminary study using reconstructions / Arie Wallert -- From collaboration to competition: the introduction of Heinrich Ludwig's petroleum oil paints / Kathrin Kinseher -- The use of documentary sources for identifying suppliers of painting materials in 19th-century Portugal / Rita Macedo -- Reconsidering the use of copper resinate, from painting on canvas and panel to painting on glass and metal / Claudio Seccaroni -- Winsor & Newton's 19th-century manufacture of yellow chromate-based pigments / Maria Joao Melo -- Painting techniques of Jean Cousin the Elder and Younger in the light of a French manuscript / Estelle Itie -- Soehnee Freres retouching varnish and American painters / Gay Myers -- The trade in chalk as an artists' material in early modern Europe / Marieken van den Bichelaer -- The Royal Danish Colour Chamber and the 17th-century trade in artists' materials / Anne Haack. Christensen -- (Re)constructed harmony: the replication of a Renaissance viol aided by historical sources / Wolfgang Baatz -- Medieval gilding / Alison Stock
Summary: A collection of papers from the 2014 biennial ATSR symposium investigating the uses of source material for historical research and the conservation of art today.
Holdings
Item type Current library Collection Call number Status Barcode
Book Book CGLAS Library Conservation Reading Room Green 702.805 ATS (Browse shelf(Opens below)) Available 08323

Includes bibliographical references.

The painter's workshop as seen by Stradanus / Jan Piet Filedt Kok -- Back to basics: what do we do with art technological sources once we have found them? / William Whitney -- Back to the text: artists' recipe books as historical sources for research into art technology / Sylvie Neven -- Artists' treatises and recipe books: a discussion of authors, readers and users / Cristiana Pasqualetti -- Light-sensitive pigments discussed in early sources on photochemical imaging processes / Albrecht Pohlmann -- Eilido colours: sources relating to the introduction of coal-tar colours and their controversial reception in the early 20th century / Christoph Steuer -- Making paint in the 20th century: the Talens Archive / Bert Klein Ovink -- Recipes for deceit: documentary sources for the production of paintings forgeries from 1300 to 1900 / Jilleen Nadolny -- What's wrong with Thompson's Cennini? / Mark Clarke -- Compendium de coloribus collectum: a compendium of recipes in Palatine Ms. 981 of the Biblioteca Nazionale in Florence / Federica Ferla -- Pictoria, sculptoria et quae subaltenarum artium: is the de Mayerne manuscript unified or heterogeneous? / Cecile Parmentier -- Breaking the mould: a history of sand mould casting in Western Europe based on early written sources / Tonny P.C. Beentjes -- Interpreting lac dye in medieval written sources: new knowledge from the reconstruction of recipes relating to illuminations in Portuguese manuscripts / Maria Joao Melo -- 'To keep the colours fresh, alive and bright': the influence of preparatory layers on the durability of oil painting, according to North West European recipe books 1550-1900 / Maartje Stols-Witlox -- The Jesuit contribution to written art technological sources in the 17th and 18th centuries / Corinna Gramatke -- Liotard, Stoupan and the colours available to 18th-century European artists / Leila Sauvage -- Forming or transformation: the technology of horn working in sources, in practice and compared to objects / Christoph Krekel -- Shorter papers from poster presentations -- Unpublished 17th-century documents relevant to the production of artists' pigments / Arie Wallert -- De vitri coloribus: a treatise on glass or pottery working and colouring / Paola Travaglio -- Documentation of European recipes for glue lining paste / Rita Gil -- Zinc vitriol in late medieval oil painting: a preliminary study using reconstructions / Arie Wallert -- From collaboration to competition: the introduction of Heinrich Ludwig's petroleum oil paints / Kathrin Kinseher -- The use of documentary sources for identifying suppliers of painting materials in 19th-century Portugal / Rita Macedo -- Reconsidering the use of copper resinate, from painting on canvas and panel to painting on glass and metal / Claudio Seccaroni -- Winsor & Newton's 19th-century manufacture of yellow chromate-based pigments / Maria Joao Melo -- Painting techniques of Jean Cousin the Elder and Younger in the light of a French manuscript / Estelle Itie -- Soehnee Freres retouching varnish and American painters / Gay Myers -- The trade in chalk as an artists' material in early modern Europe / Marieken van den Bichelaer -- The Royal Danish Colour Chamber and the 17th-century trade in artists' materials / Anne Haack. Christensen -- (Re)constructed harmony: the replication of a Renaissance viol aided by historical sources / Wolfgang Baatz -- Medieval gilding / Alison Stock

A collection of papers from the 2014 biennial ATSR symposium investigating the uses of source material for historical research and the conservation of art today.