Picasso and truth : (Record no. 18795)

MARC details
000 -LEADER
fixed length control field 03107cam a2200409 i 4500
001 - CONTROL NUMBER
control field 9949875593804341
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250113134440.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 121001s2013 njua b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2012039423
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 016269818
Source Uk
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780691157412
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0691157413
024 8# - OTHER STANDARD IDENTIFIER
Standard number or code 40022473332
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)ocn812018056
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)812018056
035 ## - SYSTEM CONTROL NUMBER
System control number (StEdNL)4987559-nlsdb-Voyager
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency YDX
-- OCLCO
-- BTCTA
-- YDXCP
-- BDX
-- ERASA
-- UKMGB
-- TJC
-- PUL
-- ZCU
-- CDX
-- BWX
-- OCLCQ
-- CHVBK
-- STF
-- DEBBG
-- GK8
-- XII
-- VP@
-- COO
-- OCLCA
-- YUS
-- CGP
-- NLE
042 ## - AUTHENTICATION CODE
Authentication code pcc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Clark, T. J.
Fuller form of name (Timothy J.)
9 (RLIN) 22009
245 10 - TITLE STATEMENT
Title Picasso and truth :
Remainder of title from Cubism to Guernica /
Statement of responsibility, etc. T.J. Clark.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Princeton, New Jersey :
Name of producer, publisher, distributor, manufacturer Princeton University Press,
Date of production, publication, distribution, manufacture, or copyright notice [2013]
300 ## - PHYSICAL DESCRIPTION
Extent 329 pages :
Other physical details illustrations (some color) ;
Dimensions 27 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement The A.W. Mellon lectures in the fine arts ;
Volume/sequential designation 2009
490 1# - SERIES STATEMENT
Series statement Bollingen series ;
Volume/sequential designation XXXV: 58
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Object ; Room ; Window ; Monster ; Monument ; Mural.
520 ## - SUMMARY, ETC.
Summary, etc. Picasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale Guitar and Mandolin on a Table (1924), The Three Dancers (1925), and The Painter and His Model (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, Picasso and Truth rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naïve and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Picasso, Pablo,
Dates associated with a name 1881-1973
General subdivision Criticism and interpretation.
9 (RLIN) 25276
600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Picasso, Pablo,
Dates associated with a name 1881-1973.
Source of heading or term gnd
9 (RLIN) 23429
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title A.W. Mellon lectures in the fine arts ;
Volume/sequential designation 2009.
9 (RLIN) 9618
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Bollingen series ;
Volume/sequential designation 35:58.
9 (RLIN) 6646
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Price effective from Koha item type
        CGLAS Library CGLAS Library Monographs Room 13/05/2022 0.00 3 4 PIC 00720 20/01/2025 13/01/2025 13/05/2022 Book