Warhol, 1928-1987: commerce into art (Record no. 19572)
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000 -LEADER | |
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fixed length control field | 02448 a2200169 4500 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9783822805657 |
Qualifying information | Paperback |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Terms of availability | 6.00 |
Qualifying information | Paperback |
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | |
Date of production, publication, distribution, manufacture, or copyright notice | 30/09/1994 00:00:00 |
Name of producer, publisher, distributor, manufacturer | Taschen |
245 ## - TITLE STATEMENT | |
Title | Warhol, 1928-1987: commerce into art |
440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE | |
Title | Basic Art |
9 (RLIN) | 18952 |
400 ## - SERIES STATEMENT/ADDED ENTRY--PERSONAL NAME [OBSOLETE, CAN/MARC], [LOCAL, USA] | |
Personal name | Basic Art |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Andy Warhol is recognized today as the most important exponent of the Pop Art movement. He overturned the traditional understanding of art and placed in its stead a concept that retracts the individuality of the artist. Warhol was a critical observer of American society, exposing his compatriots' consumerism in his paintings ('Campbell-' and 'Brillo' series), as well as their fascination for sensational journalism. In 1963 Warhol founded his 'Factory' in New York, literally a manufactory of ideas and work, which influenced film in the 1960s, published the influential magazine 'Interview' in the late 1970s, and also produced Warhol's own artwork: Warhol conceived the idea, and a 'worker' in his factory carried it out. The work remained (consciously) unsigned - a fact which nevertheless did nothing to diminish Warhol's reputation. He once complained that rich New Yorkers would willingly hang his 'Electric Chain' in their living rooms - as long as its colours co-ordinated with the wallpaper and draperies. |
513 ## - TYPE OF REPORT AND PERIOD COVERED NOTE | |
Type of report | Andy Warhol is recognized today as the most important exponent of the Pop Art movement. He overturned the traditional understanding of art and placed in its stead a concept that retracts the individuality of the artist. Warhol was a critical observer of American society, exposing his compatriots' consumerism in his paintings ('Campbell-' and 'Brillo' series), as well as their fascination for sensational journalism. In 1963 Warhol founded his 'Factory' in New York, literally a manufactory of ideas and work, which influenced film in the 1960s, published the influential magazine 'Interview' in the late 1970s, and also produced Warhol's own artwork: Warhol conceived the idea, and a 'worker' in his factory carried it out. The work remained (consciously) unsigned - a fact which nevertheless did nothing to diminish Warhol's reputation. He once complained that rich New Yorkers would willingly hang his 'Electric Chain' in their living rooms - as long as its colours co-ordinated with the wallpaper and draperies. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Warhol, Andy, 1928-1987 |
9 (RLIN) | 15938 |
Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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CGLAS Library | CGLAS Library | Monographs Room | 13/05/2022 | 6.00 | WAR | 09336 | 13/05/2022 | 13/05/2022 | Book |