The science of art : (Record no. 21407)

MARC details
000 -LEADER
fixed length control field 01967nam a2200289 a 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241014163030.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 901206s1990 ctua b 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780300052411
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0300052413
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780300043372
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0300043376
040 ## - CATALOGING SOURCE
Original cataloging agency StGlU
Transcribing agency StGlU
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Kemp, Martin,
Dates associated with a name 1942-
9 (RLIN) 22582
245 14 - TITLE STATEMENT
Title The science of art :
Remainder of title optical themes in Western art from Brunelleschi to Seurat /
Statement of responsibility, etc. Martin Kemp.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New Haven, Conn. ;
-- London :
Name of publisher, distributor, etc. Yale University Press,
Date of publication, distribution, etc. 1990.
300 ## - PHYSICAL DESCRIPTION
Extent viii, 375 pages :
Other physical details illustrations (some color) ;
Dimensions 29 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Part 1: Lines Of Sight. Introduction To Part I --- 1. Perspective From Brunelleschi To Leonardo --- 2. Perspective From Durer To Galileo --- 3. Perspective From Rubens To Turner ---- Part Ii: Machine And Mind. Introduction To Part 2 --- 4. Machines And Marvels --- 5. Seeing, Knowing And Creating ---- Part 3: The Colour Of Light. Introduction To Part 3 --- 6. The Aristotelian Legacy --- 7. Newton And After --- Colour Plates --- Coda ---- Appendix I. Explanation Of Linear Perspective --- Appendix II. Brunelleschi's Demonstration Panels.
520 ## - SUMMARY, ETC.
Summary, etc. For almost five hundred years the central goal of European painting was the imitation of nature. Many artist and theorists, believing that imitation must be based on scientific principles, found inspiration or guidance in two branches of optics--the geometrical science of perspective and the physical science of colour. In this pathbreaking and highly illustrated book Martin Kemp examines the major optically orientated examples of artistic theory and practice from the Renaissance to the nineteenth century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting
General subdivision Technique.
9 (RLIN) 20540
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Composition (Art)
9 (RLIN) 26008
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Perspective.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Color in art.
9 (RLIN) 21499
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Nature (Aesthetics)
9 (RLIN) 26974
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection code Home library Current library Date acquired Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Price effective from Koha item type
        Blue CGLAS Library CGLAS Library 13/05/2022 20.00 2 2 701 KEM 01435 19/11/2024 14/10/2024 13/05/2022 Book