The sublime / (Record no. 21575)

MARC details
000 -LEADER
fixed length control field 03095cam a2200385 a 4500
001 - CONTROL NUMBER
control field 9943838573804341
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220914170013.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 090923s2010 enk b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2009039833
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBA9C5371
Source bnb
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 015448390
Source Uk
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780262513913
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0262513919
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780854881789
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0854881786
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)ocn440563020
035 ## - SYSTEM CONTROL NUMBER
System control number 4383857
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)440563020
035 ## - SYSTEM CONTROL NUMBER
System control number (StEdNL)4383857-nlsdb-Voyager
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Transcribing agency DLC
Modifying agency UKM
-- ERASA
-- C#P
-- YDXCP
-- BWX
-- CDX
-- NLE
245 04 - TITLE STATEMENT
Title The sublime /
Statement of responsibility, etc. edited by Simon Morley.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London :
Name of publisher, distributor, etc. Whitechapel Gallery ;
Place of publication, distribution, etc. Cambridge, Mass. :
Name of publisher, distributor, etc. MIT Press,
Date of publication, distribution, etc. 2010.
300 ## - PHYSICAL DESCRIPTION
Extent 237 pages ;
Dimensions 21 cm.
490 1# - SERIES STATEMENT
Series statement Documents of contemporary art
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note The unpresentable -- Transcendence -- Nature -- Technology -- Terror -- The uncanny -- Altered states.
520 ## - SUMMARY, ETC.
Summary, etc. The continuing relevance and constant reinvention of the sublime—the transcendent, the awe- inspiring, the unpresentable—in art and culture since 1945. In the contemporary world, where technology, spectacle, and excess seem to eclipse nature, the individual, and society, what might be the characteristics of a contemporary sublime? If there is any consensus, it is in the idea that the sublime represents a testing of limits to the point at which fixities begin to fragment. This anthology examines how contemporary artists and theorists explore ideas of the sublime, in relation to the unpresentable, transcendence, terror, nature, technology, the uncanny, and altered states. Providing a philosophical and cultural context for discourse around the sublime in recent art, the book surveys the diverse and sometimes conflicting interpretations of the term as it has evolved from the writings of Longinus, Burke, and Kant to present-day writers and artists. The sublime underlies the nobility of Classicism, the awe of Romantic nature, and the terror of the Gothic. In the last half-century, the sublime has haunted postwar abstraction, returned from the repression of theoretical formalism, and has become a key term in critical discussions of human otherness and posthuman realms of nature and technology.<br/><br/>Artists surveyed include: Marina Abramovic, Joseph Beuys, Tacita Dean, Walter De Maria, A K Dolven, Olafur Eliasson, Jitka Hanzlová, Gary Hill, Susan Hiller, Shirazeh Houshiary, Anish Kapoor, Mike Kelley, Anselm Kiefer, Yves Klein, Richard Long, Gustav Metzger, Henri Michaux, Barnett Newman, Tony Oursler, Cornelia Parker, Gerhard Richter, Doris Salcedo, Lorna Simpson, Stelarc, Hiroshi Sugimoto, Fred Tomaselli, James Turrell, Luc Tuymans, Bill Viola, Zhang Huan.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Modern
Chronological subdivision 20th century
9 (RLIN) 15125
General subdivision Themes, motives
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Modern
Chronological subdivision 21st century.
9 (RLIN) 19963
General subdivision Themes, motives
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Sublime, The, in art.
9 (RLIN) 24052
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Morley, Simon,
Dates associated with a name 1958-
9 (RLIN) 24053
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Documents of contemporary art series
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Checked out Date last seen Date last checked out Price effective from Koha item type
        Blue CGLAS Library CGLAS Library Whitechapel Documents of Contemporary Art 13/05/2022 14.95 7 16 701 SUB 01550 19/03/2025 05/03/2025 05/03/2025 13/05/2022 Book
        Blue CGLAS Library CGLAS Library Whitechapel Documents of Contemporary Art 29/05/2022 14.95 6 16 701 SUB 01848 21/03/2025 06/02/2025 06/02/2025 29/05/2022 Book