MARC details
000 -LEADER |
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06338nam a2200469 4500 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230313132157.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
230313b |||||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781909492929 |
Qualifying information |
paperback |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Kirby, Jo |
9 (RLIN) |
20397 |
Relator term |
editor |
245 ## - TITLE STATEMENT |
Title |
Dyes in history and archaeology 37/40 / |
Statement of responsibility, etc. |
edited by Jo Kirby. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London : |
Name of publisher, distributor, etc. |
Archetype, |
Date of publication, distribution, etc. |
2023. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xi, 271 pages : |
Other physical details |
illustrations (chiefly color) ; |
Dimensions |
24 cm. |
500 ## - GENERAL NOTE |
General note |
These papers were presented at the 37th, 38th and 40th meetings of the DHA group at NOVA University of Lisbon (2018), the University of Amsterdam (2019) and the online conference hosted by the British Museum, London (2021). |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The Color Purple in the Andes / |
Statement of responsibility |
Elena Phipps |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Maya Blue: Painting from the Past in the Present / |
Statement of responsibility |
Laura Osorio Sunnucks, Lorena Ancona, Joanne Dyer and Luis May |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Evidence of the Use of a Dye Chemically Related to Commelinin in Mesoamerican Codices / |
Statement of responsibility |
David Buti, Chiara Grazia, Fabien Pottier, Anne Michelin, Christine Andraud, Virginia M. Lladó-Buisán,Davide Domenici, Aldo Romani, Antonio Sgamellotti and Costanza Miliani |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Dyes in Archaeological and Historical Contexts from the Atacama Desert (South America): An Overview / |
Statement of responsibility |
Marcela Sepúlveda |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Ingenious Crafts: Tricks, Tips and Techniques for Dyeing Wool in Ancient Mesopotamia (c.2000–500 bce) / |
Statement of responsibility |
Shiyanthi Thavapalan |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Methodology and Reconstruction of Three Recipes to Dye Terneyt, Feuillemorte and Lyfverve from Conste des ververs, a Flemish Dyeing Manuscript from Leuven, 1619–1623 / |
Statement of responsibility |
Natalia Ortega Saez, Sophie Kirkpatrick and André Verhecken |
505 ## - FORMATTED CONTENTS NOTE |
Title |
A 19th-century Dyer’s Notebook / |
Statement of responsibility |
Susan Kay-Williams |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The Tinctorial Properties of Lichens: The Work of William Lauder Lindsay (1829–1880) and his Collection of Dyed Fabric Samples / |
Statement of responsibility |
Vanessa Habib |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Historical and Scientific Investigation into the Transition from Madder to Synthetic Alizarin Dyes in French Uniforms (Pantalon Garance) / |
Statement of responsibility |
Marie-Anne Sarda and Mohamed Dallel |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Dye-house Notes from the Crutchley Archive, 1716 to 1728: Detailed Descriptions of the Five Stages of ‘Grain’ Dyeing for Red Colours on Woven Wool Fabrics / |
Statement of responsibility |
Anita Quye, Dominique Cardon and Jenny Balfour-Paul |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The Psychedelic World of Textile Dyes in Spitalfields: The V&A Leman Silk / |
Statement of responsibility |
Lucia Burgio, Clare Browne and Maarten R. van Bommel |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Lightfastness of Blue Indigo in 18th-century French Tapestries / |
Statement of responsibility |
Hortense De La Codre, Christian Aupetit, Rémy Chapoulie, Laurent Servant and Aurélie Mounier |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The Zötl Family: A Tradition of Dyeing in Austria / |
Statement of responsibility |
Regina Hofmann-de Keijzer, Matthijs de Keijzer, Alfred Atteneder, Robert Kralofsky, Art Néss Proaño Gaibor and Ineke Joosten |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Recipes, Colorants, Carpets: The Use of Natural Dyestuffs by a mid-Victorian English Carpet Manufacturer / |
Statement of responsibility |
Laura Maccarelli and Terry T. Schaeffer |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The Use of Lac in Medieval Islamic Manuscripts and Manuscripts Made in Islamic Lands / |
Statement of responsibility |
Cheryl Porter |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Reconstruction of Persian Dyes used in Manuscripts based on Traditional Recipes and Development of a Spectral Database by Non-invasive Analytical Techniques / |
Statement of responsibility |
Mojtaba Mahmoudi Khorandi, Maurizio Aceto, Monica Gulmini, Oliver Hahn, Samanehalsadat Ehteram, Angela Benotto and Angelo Agostino |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Vordan Karmir: An Attempt to Unravel the Mystery of Armenian Cochineal Recipes for Paints and Inks used in Manuscripts / |
Statement of responsibility |
Hermine Grigoryan, Armen Sahakyan and Maria J. Melo |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Tannins and the Dyeing of Silk: The Effects on Pigments Made from Silk Extracts / |
Statement of responsibility |
David Peggie and Jo Kirby |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Lakes on a Large Scale: The Production of Redwood Lake Pigments in the 19th-century Paint Industry / |
Statement of responsibility |
Eva Eis |
505 ## - FORMATTED CONTENTS NOTE |
Title |
What is Bruzuļkoks? A Study of a Dyewood Found on the Coast of the Baltic Sea / |
Statement of responsibility |
Anete Karlsone and Valda Valkovska |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Visible-induced Spectrofluorimetry as a Non-invasive Tool for the In Situ Identification of Natural Dyes in Historical Textiles / |
Statement of responsibility |
Silvia Bruni, Margherita Longoni, Silvia De Meo, Francesca Beatrice Scalzo, Angela Dibenedetto and Vittoria Guglielmi |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Bright Orange and Scarlet Red: Disclosing the Composition and Degradation Mechanisms of ‘Combined Lake’ Formulations / |
Statement of responsibility |
Francesca Sabatini, Eva Eis, Francesca Magini, Ilaria Degano and Thomas Rickert |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Conserving the Rainbow: First Approaches towards the Preservation of the Dye Collection of the Hochschule Niederrhein / |
Statement of responsibility |
Marc Holly, Christoph Herm and Jürgen Schram |
520 ## - SUMMARY, ETC. |
Summary, etc. |
The topics covered in this edition vary from the dyes of South America, Mesopotamia, Austria, 17-19th Century Flanders and England to the use of lichen, lac and redwood lake as pigments and cochineal for paints and inks. |
Expansion of summary note |
Deep in the past, in South America and Mesopotamia, textile fibres were being given colour, purple and red, to make them attractive and interesting and to give pleasure to those who wore them. Many centuries later, South America was the source of a bright and unusual blue, Maya blue, used in painting, but this too is associated with a more complicated, more varied story. An important element of the story is that if the technology of dyeing in 18th-century London with, for example, madder is examined, it is not so far away from the work of the dyer in Mesopotamia centuries earlier. However, the 18th century was the time of wonderfully colourful and exuberant fabrics and tapestries. A century and a half later, a new age of brilliantly coloured synthetic dyes, the likes of which had never been seen before, exploded onto the scene with hundreds of colours with exotic names and doubtful permanence. However, some old dyes were still used on an industrial scale: lichen purples and browns, unassuming and still widely traded, were used throughout the 19th century. These and other stories will take the reader from the earliest times, a glimmer of colour in the distant past, to the very real conservation problems of deteriorating containers of early synthetic dyes – a long and colourful history. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Dyes and dyeing |
General subdivision |
History |
9 (RLIN) |
20472 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Dyes and dyeing |
9 (RLIN) |
39420 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Book |
999 ## - |
-- |
27127 |
-- |
27127 |