MARC details
000 -LEADER |
fixed length control field |
04724pam a2200565 i 4500 |
001 - CONTROL NUMBER |
control field |
on1105746642 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230622150016.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190619t20212021mauaf b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019025837 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780262043762 |
Qualifying information |
hardback |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780262538596 |
Qualifying information |
paperback |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1105746642 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
OCLCO |
-- |
OCLCF |
-- |
BDX |
-- |
YDX |
-- |
CDX |
-- |
UK-LoUA |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
130 0# - MAIN ENTRY--UNIFORM TITLE |
Uniform title |
Carrie Mae Weems (M.I.T. Press) |
9 (RLIN) |
478666 |
245 10 - TITLE STATEMENT |
Title |
Carrie Mae Weems / |
Statement of responsibility, etc. |
edited by Sarah Elizabeth Lewis with Christine Garnier ; essays and interviews by Sarah Elizabeth Lewis, Huey Copeland, bell hooks, Coco Fusco, Carrie Mae Weems, Thelma Golden, Deborah Willis, Robin Kelsey, Katori Hall, Salamishah Tillet, Dawoud Bey, Jennifer Blessing, Thomas J. Lax, Kimberly Drew, Erina Duganne, Yxta Maya Murray, Kimeberly Juanita Brown, Gwendolyn DuBois Shaw, José Rivera, and Jeremy McCarter. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Cambridge, Massachusetts : |
Name of producer, publisher, distributor, manufacturer |
The MIT Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2021] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2021 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xviii, 202 pages, 16 unnumbered pages of plates : |
Other physical details |
illustrations (some colour) ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
490 1# - SERIES STATEMENT |
Series statement |
October files ; |
Volume/sequential designation |
25 |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 ## - FORMATTED CONTENTS NOTE |
Title |
From here we saw what happened: Carrie Mae Weems and the practice of art history (2014) / |
Statement of responsibility |
Sarah Elizabeth Lewis |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Specters of history (2014) / |
Statement of responsibility |
Huey Copeland |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Diasporic landscapes of longing (1994) / |
Statement of responsibility |
bell hooks |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Carrie Mae Weems (1996) / |
Statement of responsibility |
Coco Fusco |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Compassion (2009) / |
Statement of responsibility |
Carrie Mae Weems |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Carrie Mae Weems and the field (2021) / |
Statement of responsibility |
Sarah Elizabeth Lewis, Carrie Mae Weems, and Thema Golden |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Photographing between the lines: beauty, politics, and the poetic vision of Carrie Mae Weems (2012) / |
Statement of responsibility |
Deborah Willis |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Foreword to 'Carrie Mae Weems: Kitchen Table Series' (2016 / |
Statement of responsibility |
Sarah Elizabeth Lewis |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Around the kitchen table (2016) / |
Statement of responsibility |
Robin Kelsey, Salamishah Tillet, Dawoud Bey, and Jennifer Blessing |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Carrie Mae Weems's convenings (2021) / |
Statement of responsibility |
Thomas J. Lax |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Carrie Mae Weems: the legendary photographer on becoming and exploring personhood through art (2016) / |
Statement of responsibility |
Kimberley Drew |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Family folktales: Carrie Mae Weems, Allan Sekula, and the critique of documentary photography (2011) / |
Statement of responsibility |
Erina Duganne |
505 ## - FORMATTED CONTENTS NOTE |
Title |
'From here I saw what happened and I cried': Carrie Mae Weems's challenge to the Harvard Archive (2012) / |
Statement of responsibility |
Yxta Maya Murray |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Carrie Mae Weems (2009) / |
Statement of responsibility |
Dawoud Bey |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Photographic incantations of the visual (2015) / |
Statement of responsibility |
Kimberley Juanita Brown |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The wandering gaze of Carrie Mae Weems's 'The Louisiana Project' (2018) / |
Statement of responsibility |
Gwendolyn DuBois Shaw |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Public forum: 'Pictures and progress' (2018) / |
Statement of responsibility |
Carrie Mae Weems, Sarah Elizabeth Lewis, José Rivera, and Jeremy McCarter |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Essays and interviews explore the work of Carrie Mae Weems and its place in the history of photography, African American art, and contemporary art. In this October Files volume, essays and interviews explore the work of the influential American artist Carrie Mae Weems—her invention and originality, the formal dimensions of her practice, and her importance to the history of photography and contemporary art. Since the 1980s, Weems (b. 1953) has challenged the status of the black female body within the complex social fabric of American society. Her photographic work, film, and performance investigate spaces that range from the American kitchen table to the nineteenth-century world of historically black Hampton University to the ancient landscapes of Rome. These texts consider the underpinnings of photographic history in Weems’s work, focusing on such early works as The Kitchen Table series; Weems’s engagement with photographic archives, historical spaces, and the conceptual legacy of art history; and the relationship between her work and its institutional venues. The book makes clear not only the importance of Weems’s work but also the necessity for an expanded set of concerns in contemporary art—one in which race does not restrict a discussion of aesthetics, as it has in the past, robbing black artists of a full consideration of their work. |
600 #0 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Weems, Carrie Mae, |
Dates associated with a name |
1953- |
General subdivision |
Criticism and interpretation |
9 (RLIN) |
40251 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Photographic criticism. |
9 (RLIN) |
244407 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Lewis, Sarah Elizabeth, |
Dates associated with a name |
1979- |
Relator term |
editor |
9 (RLIN) |
472105 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Garnier, Christine |
Relator term |
editor |
9 (RLIN) |
40259 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
October files. |
9 (RLIN) |
363090 |
942 00 - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Book |