Carrie Mae Weems / (Record no. 27213)

MARC details
000 -LEADER
fixed length control field 04724pam a2200565 i 4500
001 - CONTROL NUMBER
control field on1105746642
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230622150016.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190619t20212021mauaf b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2019025837
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780262043762
Qualifying information hardback
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780262538596
Qualifying information paperback
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1105746642
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency OCLCO
-- OCLCF
-- BDX
-- YDX
-- CDX
-- UK-LoUA
042 ## - AUTHENTICATION CODE
Authentication code pcc
130 0# - MAIN ENTRY--UNIFORM TITLE
Uniform title Carrie Mae Weems (M.I.T. Press)
9 (RLIN) 478666
245 10 - TITLE STATEMENT
Title Carrie Mae Weems /
Statement of responsibility, etc. edited by Sarah Elizabeth Lewis with Christine Garnier ; essays and interviews by Sarah Elizabeth Lewis, Huey Copeland, bell hooks, Coco Fusco, Carrie Mae Weems, Thelma Golden, Deborah Willis, Robin Kelsey, Katori Hall, Salamishah Tillet, Dawoud Bey, Jennifer Blessing, Thomas J. Lax, Kimberly Drew, Erina Duganne, Yxta Maya Murray, Kimeberly Juanita Brown, Gwendolyn DuBois Shaw, José Rivera, and Jeremy McCarter.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cambridge, Massachusetts :
Name of producer, publisher, distributor, manufacturer The MIT Press,
Date of production, publication, distribution, manufacture, or copyright notice [2021]
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2021
300 ## - PHYSICAL DESCRIPTION
Extent xviii, 202 pages, 16 unnumbered pages of plates :
Other physical details illustrations (some colour) ;
Dimensions 24 cm.
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement October files ;
Volume/sequential designation 25
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 ## - FORMATTED CONTENTS NOTE
Title From here we saw what happened: Carrie Mae Weems and the practice of art history (2014) /
Statement of responsibility Sarah Elizabeth Lewis
505 ## - FORMATTED CONTENTS NOTE
Title Specters of history (2014) /
Statement of responsibility Huey Copeland
505 ## - FORMATTED CONTENTS NOTE
Title Diasporic landscapes of longing (1994) /
Statement of responsibility bell hooks
505 ## - FORMATTED CONTENTS NOTE
Title Carrie Mae Weems (1996) /
Statement of responsibility Coco Fusco
505 ## - FORMATTED CONTENTS NOTE
Title Compassion (2009) /
Statement of responsibility Carrie Mae Weems
505 ## - FORMATTED CONTENTS NOTE
Title Carrie Mae Weems and the field (2021) /
Statement of responsibility Sarah Elizabeth Lewis, Carrie Mae Weems, and Thema Golden
505 ## - FORMATTED CONTENTS NOTE
Title Photographing between the lines: beauty, politics, and the poetic vision of Carrie Mae Weems (2012) /
Statement of responsibility Deborah Willis
505 ## - FORMATTED CONTENTS NOTE
Title Foreword to 'Carrie Mae Weems: Kitchen Table Series' (2016 /
Statement of responsibility Sarah Elizabeth Lewis
505 ## - FORMATTED CONTENTS NOTE
Title Around the kitchen table (2016) /
Statement of responsibility Robin Kelsey, Salamishah Tillet, Dawoud Bey, and Jennifer Blessing
505 ## - FORMATTED CONTENTS NOTE
Title Carrie Mae Weems's convenings (2021) /
Statement of responsibility Thomas J. Lax
505 ## - FORMATTED CONTENTS NOTE
Title Carrie Mae Weems: the legendary photographer on becoming and exploring personhood through art (2016) /
Statement of responsibility Kimberley Drew
505 ## - FORMATTED CONTENTS NOTE
Title Family folktales: Carrie Mae Weems, Allan Sekula, and the critique of documentary photography (2011) /
Statement of responsibility Erina Duganne
505 ## - FORMATTED CONTENTS NOTE
Title 'From here I saw what happened and I cried': Carrie Mae Weems's challenge to the Harvard Archive (2012) /
Statement of responsibility Yxta Maya Murray
505 ## - FORMATTED CONTENTS NOTE
Title Carrie Mae Weems (2009) /
Statement of responsibility Dawoud Bey
505 ## - FORMATTED CONTENTS NOTE
Title Photographic incantations of the visual (2015) /
Statement of responsibility Kimberley Juanita Brown
505 ## - FORMATTED CONTENTS NOTE
Title The wandering gaze of Carrie Mae Weems's 'The Louisiana Project' (2018) /
Statement of responsibility Gwendolyn DuBois Shaw
505 ## - FORMATTED CONTENTS NOTE
Title Public forum: 'Pictures and progress' (2018) /
Statement of responsibility Carrie Mae Weems, Sarah Elizabeth Lewis, José Rivera, and Jeremy McCarter
520 ## - SUMMARY, ETC.
Summary, etc. Essays and interviews explore the work of Carrie Mae Weems and its place in the history of photography, African American art, and contemporary art. In this October Files volume, essays and interviews explore the work of the influential American artist Carrie Mae Weems—her invention and originality, the formal dimensions of her practice, and her importance to the history of photography and contemporary art. Since the 1980s, Weems (b. 1953) has challenged the status of the black female body within the complex social fabric of American society. Her photographic work, film, and performance investigate spaces that range from the American kitchen table to the nineteenth-century world of historically black Hampton University to the ancient landscapes of Rome. These texts consider the underpinnings of photographic history in Weems’s work, focusing on such early works as The Kitchen Table series; Weems’s engagement with photographic archives, historical spaces, and the conceptual legacy of art history; and the relationship between her work and its institutional venues. The book makes clear not only the importance of Weems’s work but also the necessity for an expanded set of concerns in contemporary art—one in which race does not restrict a discussion of aesthetics, as it has in the past, robbing black artists of a full consideration of their work.
600 #0 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Weems, Carrie Mae,
Dates associated with a name 1953-
General subdivision Criticism and interpretation
9 (RLIN) 40251
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Photographic criticism.
9 (RLIN) 244407
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Lewis, Sarah Elizabeth,
Dates associated with a name 1979-
Relator term editor
9 (RLIN) 472105
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Garnier, Christine
Relator term editor
9 (RLIN) 40259
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title October files.
9 (RLIN) 363090
942 00 - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     CGLAS Library CGLAS Library Monographs Room 22/06/2023 23.00   WEE 12726 22/06/2023 22/06/2023 Book