Sound / edited by Caleb Kelly.
Series: Documents of contemporary artPublication details: London : Whitechapel Gallery, 2011.Description: 239 p. ; 21 cmISBN:- 9780854881871
- 0854881875
- 9780262515689
Item type | Current library | Collection | Call number | Status | Barcode | |
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CGLAS Library Whitechapel Documents of Contemporary Art | Blue | 701 SOU (Browse shelf(Opens below)) | Available | 04069 |
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701 SCI Science fiction / | 701 SEX Sexuality / | 701 SIT Situation / | 701 SOU Sound / | 701 SPE Speculation / | 701 STU The studio / | 701 STU The studio / |
Includes bibliographical references and index.
Concepts of the sonic : The art of noises, 1913 / Luigi Russolo -- The future of music : credo, 1937 / John Cage -- Right living, 1987 / Allan Kaprow -- The latest : fluxus and music, 1993 / Douglas Kahn -- The tower and the line : toward a geneaology of minimalism, 2007 / Branden W. Joseph -- Breaking through the sound barrier, 1971 / Ralph T. Coe -- Soundings, 1981 / Suzanne Delehanty -- Sound by artists, 1990 / Dan Lander -- Sound in recent art, 1994 / William Furlong -- Some people never forget (The use of sound in art of the early nineties), 1994 / Liam Gillick -- Sound art?, 2000 / Max Neuhaus -- On sonic spaces, 1997 / Paul DeMarinis -- There are no visual media, 2005 / W.J.T. Mitchell -- From music to sound : being as time in the sonic arts, 2006 / Christoph Cox -- Noise and silence : Noise, 1976 / Jacques Attali -- Genesis, 1982 / Michel Serres -- The music of the O.M. Theatre, 1985 / Hermann Nitsch -- Residualism, 1999 / Kim Cascone -- Parasite/noise, 2001 / Yasunao Tone -- Silence on trial, 2003 / Paul Virilio -- Noise/music, 2007 / Paul Hegarty -- The listener and acoustic space : The soundscape, 1977 / R. Murray Schafer -- Careful listening is more important than making sounds happen, c. 979 / Alvin Lucier -- Acoustic space, 1985 / Bernhard Leitner -- Sound, modernity and history, 2002 / Emily Ann Thompson -- Bilinda Butcher, 1997 / Steven Shaviro -- Resoundings, c. 1999 / Bill Fontana -- Metamorphosis of the muses, 2002 / Jacques Rancière -- Ears have walls : on hearing art, 2005 / Steven Connor -- How can we perceive sound as art?, 2009 / Helmut Draxler -- Bandwaves : Artsound, 1981 / Germano Celant -- In conversation, 2000 / Michael Snow, Christian Marclay -- Sound is material : conversation with Eric de Bruyn, 2004 / Dan Graham -- In conversation with Carly Berwick, 2009 / Mike Kelley -- Words before music, 2000 / Vito Acconci -- In conversation, 2003 / Christian Marclay, Kim Gordon -- Blow and suck : conversation with Jérôme Sans, 2004 / Martin Creed -- Infinity's borders : Ryoji Ikeda, 2009 / Martin Herbert -- Artists and sound : Musical sculpture, c. 1912-21 / Marcel Duchamp -- On Monotone symphony (c. 1947-48), n.d. / Yves Klein -- Spirit of yes : Yoko Ono, 2000 / Alexandra Munroe -- Nam June Paik, composer, 1982 / Michael Nyman -- Letter to John Cage, 1961 / Robert Morris -- On works 1961-68, 1973 / Mieko Shiomi -- Happy moments, c. 1966 / Len Lye -- Why is sound left outside?, 1987 / Harry Bertoia -- Untitled, 1969 / Bruce Nauman -- Cleaning the mirror : Marina Abramovic, 1995 / Chrissie Iles -- Listen (1966-76), 1990 / Max Neuhaus -- Writings, 1975-85 / Bill Viola -- Writings, 1977-79 / Laurie Anderson -- Takehisa Kosugi and Akio Suzuki : stunning by coincidence, 1979 / Tom Johnson -- About my installations, 1986 / Christina Kubisch -- Video/mouth : Gary Hill, 1994 / Michel Chion -- Rebecca Horn : Chorus of the locusts I and II (1991), 1996 / Svetlana Alpers -- Other : Maryanne Amacher, 2006 / Brandon LaBelle -- Haunted weather : music, silence and memory, 2004 / David Troop -- Sound stories, 2000 / Philip Dadson -- Catching the waves : Carsten Nicolai's Klangfiguren, 2006 / Antonio Somaini -- Active listening, 2005 / Steve Roden -- Joyce Hinterding and parasitic possibility, 2008 / Douglas Kahn -- Doug Aitken's Sonic pavilion, 2009 / Seth Kim-Cohen -- Hearing and seeing : Karin Sander, 2010 / Angela Rosenberg.
The 'sonic turn' in recent art reflects a wider cultural awareness that sight no longer dominates our perception and understanding of reality. This sourcebook provides a genealogy of sonic pathways into the arts; philosophical reflections on the meanings of noise and silence; dialogues between art and music; investigations of the roles of listening and acoustic space; and a comprehensive survey of sound works by artists from the avant-garde era to the present.