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Art technology : sources and methods : proceedings of the second symposium of the Art Technological Source Research study group / edited by Stefanos Kroustallis, Joyce H. Townsend, Elena Cenalmor Bruquetas, Ad Stijnman and Margarita San Andrés Moya.

By: Contributor(s): Language: English, Spanish Publisher: London : Archetype Publications, 2008Description: xiv, 183 pages, 16 unnumbered pages of plates : illustrations (some colour) ; 30 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781904982296
  • 1904982298
Subject(s):
Contents:
Materials for art technological source research: theoretical issues -- Towards a new discipline? -- Asymptotically approaching the past: historiography and critical use of sources in art technological source research -- Reading the past: methodological considerations for future research in art technology -- Las dificultades especificas de la terminologia: a propósito de la traduccion comentada al alemán de lost capítulos sobre las técnicas pictóricas de tres tratados barrocos españoles -- Los recetarios medievales de tecnología artistíca -- Llaves y secretos para el estudio de los materiales del color -- La revista como fuente de información para la tecnología artística: Carlos de Haes y su artículo 'Dibujo al carbón (aplicado al paisaje)' -- La obtención de pigmentos azules para las obras de Felipe II: comercio europeo y americano -- Patents as a source of documentation for studying art technology -- Nineteenth-century English artists' colourmen's archives as a source of technical information -- Las técnicas de policromía barroca del noroeste de Portugal en los contratos y los tratados pictóricos -- El retoque a seco: evolución a traves de la historia de la pintura mural al fesco -- Seventeenth-century machines for drawing celestial spheres -- La mesa de trabajo de Fortuny -- The painter's studio as a documentary source: a study of the final decades of Joan Miró -- Marks engraved on gilded surfaces of paintings on wood: types and methodology -- New technologies: new protocols -- Islamic gilding technology: written sources and scientific analyses -- Analyses of dyes on the map collection of the Real Chancillería of Granda -- Analysis of pigments for miniatures -- A micro-Raman spectroscopy study of the formation of lead dioxide from lead white -- Cinnabar or vermilion? -- Identification of pigments in a 17th-century coloured map using mico-Raman spectroscopy and PIXE -- Sizing layers for oil painting in western European sources (1500-1900): historical recipes and reconstructions -- Reconstruction of tempera painting techniques: some examples, including gesso sottile -- Chararacterisation of purified verdigris obtained according to Recipe 101 of the Manoscritto Bolognese -- Reconstruction of documented preparation methods of gesso grosso and gesso sottile in Spanish School panel paintings -- Cochineal use in pre-Columbian paintings.
Summary: Proceedings dedicated to Agnès Gräfen Ballestrem (1935-2007).
Holdings
Item type Current library Collection Call number Status Barcode
Book Book CGLAS Library Conservation Reading Room Green 702.805 ATS (Browse shelf(Opens below)) Available 12037

Symposium held at Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain, 5-6 October 2006.

Includes bibliographical references.

Materials for art technological source research: theoretical issues -- Towards a new discipline? -- Asymptotically approaching the past: historiography and critical use of sources in art technological source research -- Reading the past: methodological considerations for future research in art technology -- Las dificultades especificas de la terminologia: a propósito de la traduccion comentada al alemán de lost capítulos sobre las técnicas pictóricas de tres tratados barrocos españoles -- Los recetarios medievales de tecnología artistíca -- Llaves y secretos para el estudio de los materiales del color -- La revista como fuente de información para la tecnología artística: Carlos de Haes y su artículo 'Dibujo al carbón (aplicado al paisaje)' -- La obtención de pigmentos azules para las obras de Felipe II: comercio europeo y americano -- Patents as a source of documentation for studying art technology -- Nineteenth-century English artists' colourmen's archives as a source of technical information -- Las técnicas de policromía barroca del noroeste de Portugal en los contratos y los tratados pictóricos -- El retoque a seco: evolución a traves de la historia de la pintura mural al fesco -- Seventeenth-century machines for drawing celestial spheres -- La mesa de trabajo de Fortuny -- The painter's studio as a documentary source: a study of the final decades of Joan Miró -- Marks engraved on gilded surfaces of paintings on wood: types and methodology -- New technologies: new protocols -- Islamic gilding technology: written sources and scientific analyses -- Analyses of dyes on the map collection of the Real Chancillería of Granda -- Analysis of pigments for miniatures -- A micro-Raman spectroscopy study of the formation of lead dioxide from lead white -- Cinnabar or vermilion? -- Identification of pigments in a 17th-century coloured map using mico-Raman spectroscopy and PIXE -- Sizing layers for oil painting in western European sources (1500-1900): historical recipes and reconstructions -- Reconstruction of tempera painting techniques: some examples, including gesso sottile -- Chararacterisation of purified verdigris obtained according to Recipe 101 of the Manoscritto Bolognese -- Reconstruction of documented preparation methods of gesso grosso and gesso sottile in Spanish School panel paintings -- Cochineal use in pre-Columbian paintings.

Proceedings dedicated to Agnès Gräfen Ballestrem (1935-2007).

Text in English and Spanish.