Made in Los Angeles : materials, processes, and the birth of West Coast Minimalism / Rachel Rivenc.
Publisher: Los Angeles : The Getty Conservation Institute, [2016?]Copyright date: ♭2016Description: xiii, 193 pages : illustrations (some colour) ; 26 cmContent type:- text
- still image
- unmediated
- volume
- 9781606064658
- 1606064657
- 1900-1999
- Minimal art -- California -- Los Angeles -- History -- 20th century
- Art, American -- California -- Los Angeles -- 20th century
- Art -- Technique -- History -- 20th century
- Artists' materials -- Analysis
- Art -- Conservation and restoration
- Art, American
- Art -- Conservation and restoration
- Art -- Technique
- Artists' materials -- Analysis
- Minimal art
- California -- Los Angeles
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
Book
|
CGLAS Library | Yellow | 709.04058 RIV (Browse shelf(Opens below)) | Checked out | 07/03/2025 | 08387 |
Includes bibliographical references (pages 181-187) and index.
Los Angeles and the birth of a new look -- Craig Kauffman: the poetry of plastic -- Larry Bell: through the looking glass -- John McCracken: the material and the spiritual -- Robert Irwin: stripping art down one material at a time.
"In the 1960s, a group of Los Angeles artists fashioned a body of work that has come to be known as the "LA Look" or West Coast Minimalism. Its distinct aesthetic is characterized by clean lines, simple shapes, and pristine reflective or translucent surfaces, and often by the use of bright, seductive colors. This volume, the first to provide a detailed study of the role of materials and processes in the advent of these truly indigenous Los Angeles art forms, focuses on four pioneering artists whose approach, often borrowed from other industries, featured the use of synthetic paints and resins as well as industrial processes to create objects that are both painting and sculpture. The author uses the methods of technical art history to inform her investigation of conservation issues associated with their work, thereby illuminating challenges facing the conservation of contemporary art in general."--Back cover.