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Thinking through craft / Glenn Adamson.

By: Publication details: Oxford : Berg, 2007.Edition: English edDescription: x, 209 pages, [16] pages of plates : illustrations (some color) ; 25 cmISBN:
  • 9781845206468
  • 1845206460
  • 9781845206475
  • 1845206479
Subject(s):
Contents:
Craft at the limits -- Craft as a process -- Supplemental -- Homage to Brancusi -- Wearable sculptures : modern jewelry and the problem of autonomy -- Reframing the pattern and decoration movement -- Props : Gijs Bakker and Gord Peteran -- Material -- Ceramic presence : Peter Voulkos -- Natural limitations : Stephen De Staebler and Ken Price -- Crawling through mud : Yagi Kazuo -- The materialization of the art object, 1966-72 -- Breath : Dale Chihuly and Emma Wooffenden -- Skilled -- Circular thinking : David Pye and Michael Baxandall -- Learning by doing -- Thinking in situations : Josef Albers - from the Bauhaus to Black Mountain -- Charles Jencks and Kenneth Frampton : the ad hoc and the tectonic -- Conclusion : skill and the human condition -- Pastoral -- Regions apart -- Two versions of pastoral : Phil Leider and Art Espenet Carpenter -- North, south, east, west : Carl Andre and Robert Smithson -- Landscapes : Gord Peteran and Richard Slee -- Amateur -- "The world's most fascinating hobby" : Robert Arneson -- Feminism and the politics of amateurism -- Abject craft : Mike Kelley and Tracey Emin -- Conclusion.
Summary: This volume provides an introduction to the varied concepts and theories of modern arts and crafts. The author writes about craft as a process or an approach -- not as things. He demonstrates the complex interdependencies of craft and art as well as "craft's" own conflicting historical tendencies. The author presents five aspects of "craft's" supposed second-class identity: supplementarity, sensuality, skill, the pastoral, and the amateur. Contrary to the implied second-class status of these themes, he suggests that these are in fact the things that make craft significant and unique.

Includes bibliographical references (p. [171]-201) and index.

Craft at the limits -- Craft as a process -- Supplemental -- Homage to Brancusi -- Wearable sculptures : modern jewelry and the problem of autonomy -- Reframing the pattern and decoration movement -- Props : Gijs Bakker and Gord Peteran -- Material -- Ceramic presence : Peter Voulkos -- Natural limitations : Stephen De Staebler and Ken Price -- Crawling through mud : Yagi Kazuo -- The materialization of the art object, 1966-72 -- Breath : Dale Chihuly and Emma Wooffenden -- Skilled -- Circular thinking : David Pye and Michael Baxandall -- Learning by doing -- Thinking in situations : Josef Albers - from the Bauhaus to Black Mountain -- Charles Jencks and Kenneth Frampton : the ad hoc and the tectonic -- Conclusion : skill and the human condition -- Pastoral -- Regions apart -- Two versions of pastoral : Phil Leider and Art Espenet Carpenter -- North, south, east, west : Carl Andre and Robert Smithson -- Landscapes : Gord Peteran and Richard Slee -- Amateur -- "The world's most fascinating hobby" : Robert Arneson -- Feminism and the politics of amateurism -- Abject craft : Mike Kelley and Tracey Emin -- Conclusion.

This volume provides an introduction to the varied concepts and theories of modern arts and crafts. The author writes about craft as a process or an approach -- not as things. He demonstrates the complex interdependencies of craft and art as well as "craft's" own conflicting historical tendencies. The author presents five aspects of "craft's" supposed second-class identity: supplementarity, sensuality, skill, the pastoral, and the amateur. Contrary to the implied second-class status of these themes, he suggests that these are in fact the things that make craft significant and unique.