Revised edition of "Art in theory 1900-1990"

Includes bibliographical references and index.

1. Classicism and Originality. -- Paul Signac: from Eugène Delacroix to Neo-Impressionism 1899. -- Paul Gauguin: letter to Fontainas 1899. -- Sigmund Freud: from 'On Dreams' 1901. -- Otto Weininger: from Sex and Character 1903. -- Max Liebermann: 'Imagination in Painting' 1904. -- Paul Cézanne: letters to Emile Bernard 1904-06. -- Rainer Maria Rilke: from Letters on Cézanne 1907. -- Maurice Denis (intro. Roger Fry): 'Cézanne' 1907. -- Maurice Denis: 'From Gauguin and Van Gogh to Neo-Classicism' 1909. -- Julius Meier-Graefe: 'The Mediums of Art, Past and Present' 1904. -- Giorgio de Chirico: 'Mystery and Creation' 1913. -- 2. Expression and the Primitive. -- August Endell: 'The Beauty of Form and Decorative Art' 1897-98. -- Albert Pinkham Ryder: 'Paragraphs from the Studio of a Recluse' 1905. -- André Derain: letters to Vlaminck c.1905-1909. -- Ernst Ludwig Kirchner: programme of Die Brücke 1906. -- Wilhelm Worringer: from Abstraction and Empathy 1908. -- Henri Matisse: 'Notes of a Painter' 1908. -- Roger Fry: 'An Essay in Aesthetics' 1909. -- Wassily Kandinsky: from Concerning the Spiritual in Art 1911. -- Wassily Kandinsky: The Cologne Lecture 1914. -- Franz Marc: 'The "Savages" of Germany' and 'Two Pictures' 1912. -- August Macke: 'Masks' 1912. -- Emil Nolde: 'On Primitive Art' 1912. -- Oscar Kokoschka: 'On the Nature of Visions' 1912. -- Alexander Shevchenko: 'Neo-Primitivism' 1913. -- Benedetto Croce: 'What is Art?' 1913. -- Clive Bell: 'The Aesthetic Hypothesis' 1914. -- Carl Einstein: 'Negro Sculpture' 1915. -- Hermann Bahr: from Expressionism 1916. -- Hans Prinzhorn: from Artistry of the Mentally Ill 1922. -- Part II: The Idea of the Modern World. -- Introduction. -- 3. Modernity. -- Georg Simmel: 'Metropolis and Mental Life' 1902-3. -- Max Weber: 'Asceticism and the Spirit of Capitalism' 1904-05. -- Vladimir Ilyich Lenin: 'Party Organization and Party Literature' 1905. -- Henri Bergson: from Creative Evolution 1907. -- Alexander Blok: 'Nature and Culture' 1908. -- Filippo Tommaso Marinetti: 'The Foundation and Manifesto of Futurism' 1909. -- Umberto Boccioni et al: 'Futurist Painting: Technical Manifesto' 1910. -- Robert Delaunay: 'On the Construction of Reality in Pure Painting' 1912. -- Georgy Valentinovich Plekhanov: from Art and Social Life 1912. -- Franz Marc: 'Foreword' 1914. -- Fernand Léger: 'Contemporary Achievements in Painting' 1914. -- Percy Wyndham Lewis: 'Our Vortex' 1914. -- Henri Gaudier-Brzeska: 'Gaudier-Brzeska Vortex' 1914, and 'Vortex Gaudier-Brzeska' 1915. -- Ludwig Meidner: 'Instructions for Painting Pictures of the Metropolis' 1914. -- Karl Kraus: from 'In These Great Times' 1914. -- Kasimir Malevich: From Cubism and Futurism to Suprematism: The New Realism in Painting 1915-16. -- 4. Cubism. -- Jean Metzinger: 'Note on Painting' 1910. -- Guillaume Apollinaire: 'The Cubists' 1911. -- Guillaume Apollinaire: 'On the Subject in Modern Painting' 1912. -- Guillaume Apollinaire: 'The New Painting: Art Notes' 1912. -- Guillaume Apollinaire: from The Cubist Painters 1912. -- Jacques Rivière: 'Present Tendencies in Painting' 1912. -- Albert Gleizes and Jean Metzinger: from Cubism 1912. -- Fernand Léger: 'The Origins of Painting and its Representational Value' 1913. -- Olga Rozanova: 'The Bases of the New Creation' 1913. -- Daniel-Henry Kahnweiler: from The Rise of Cubism 1916-20. -- Georges Braque: 'Thoughts on Painting' 1917. -- Pablo Picasso: 'Picasso Speaks' 1923. -- Part III: Rationalization and Transformation. -- Introduction. -- 5. Neo-Classicism and the Call to Order. -- Amédée Ozenfant: 'Notes on Cubism' 1916. -- Guillaume Apollinaire: 'The New Spirit and the Poets' 1918. -- Oswald Spengler: from The Decline of the West 1918. -- Carlo Carrà: 'Our Antiquity' 1916-18. -- Léonce Rosenberg: 'Tradition and Cubism' 1919. -- Giorgio de Chirico: 'The Return to Craft' 1919. -- Charles Edouard Jeanneret (Le Corbusier) and Amédée Ozenfant: 'Purism' 1920. -- Albert Gleizes: 'The Dada Case' 1920. -- André Derain: 'On Raphael' 1920. -- Percy Wyndham Lewis: 'The Children of the New Epoch' 1921. -- Juan Gris: Reply to a Questionnaire 1921. -- Gustav Friedrich Hartlaub: 'Reply to a Questionnaire' 1922. -- 6. Dissent and Disorder. -- Hugo Ball: 'Dada Fragments' 1916-17. -- Marcel Duchamp: 'The Richard Mutt Case' 1917. -- Tristan Tzara: 'Dada Manifesto 1918' 1918. -- Richard Huelsenbeck: 'First German Dada Manifesto' 1918. -- Richard Huelsenbeck and Raoul Hausmann: 'What is Dadaism and what does it want in Germany?' 1919. -- Richard Huelsenbeck: from En Avant Dada 1920. -- Alexander Blok: 'The Decline of Humanism' 1918. -- Novembergruppe: Draft Manifesto 1918 and 'Guidelines' 1919. -- Novembergruppe Opposition: 'Open Letter to the Novembergruppe' 1921. -- Walter Gropius: Reply to Arbeitsrat für Kunst Questionnaire 1919. -- Max Beckmann: 'Creative Credo' 1918-20. -- Max Pechstein: 'Creative Credo' 1920. -- George Grosz: 'My New Pictures' 1921. -- Francis Picabia: 'Thank you, Francis!' 1923. -- 7. Abstraction and Form. -- Hans Arp: Introduction to a catalogue 1915. -- Man Ray: Statement 1916. -- Viktor Shklovsky: from 'Art as Technique' 1917. -- De Stijl: 'Manifesto 1’; 1918. -- Theo van Doesburg: from Principles of Neo-Plastic Art 1915-25. -- Piet Mondrian: 'Dialogue on the New Plastic' 1919. -- Piet Mondrian: Neo-Plasticism: the General Principle of Plastic Equivalence 1920-21. -- Kasimir Malevich: 'Non-Objective Art and Suprematism' 1919. -- Kasimir Malevich: The Question of Imitative Art 1920. -- Naum Gabo and Anton Pevsner: 'The Realistic Manifesto' 1920. -- UNOVIS: 'Programme of a United Audience in Painting of the Vitebsk State Free Workshops' 1920. -- Wassily Kandinsky: 'Plan for the Physico-psychological Department of the Russian Academy of Artistic Sciences' 1921. -- Johannes Itten: 'Analyses of Old Master Art' 1921. -- Oskar Schlemmer: Notes 1922-23. -- Walter Gropius: 'The Theory and Organization of the Bauhaus' 1923. -- Theo van Doesburg, El Lissitsky, Hans Richter: 'Declaration of the International Fraction of Constructivists of the First International Congress of Progressive Artists' 1922-23. -- 17 Wladyslaw Strzeminski: 'What is legitimately called the New Art...' 1924. -- El Lissitsky: 'A and Pangeometry' 1925. -- Hannah Höch: 'The painter' c. 1920. -- José Ortega y Gasset: from The Dehumanisation of Art 1925. -- 8. Utility and Construction. -- KOMFUT: 'Programme Declaration' 1919. -- Vladimir Tatlin: 'The Initiative Individual in the Collective' 1919. -- Lyubov Popova: Catalogue statement 1919. -- Nikolai Punin: 'The Monument to the Third International' 1920. -- Alexander Rodchenko: 'Slogans' and 'Organizational Programme' 1920-21. -- Alexander Rodchenko and Varvara Stepanova: 'Programme of the First Working Group of Constructivists' 1922. -- Alexei Gan: from Constructivism 1922. -- El Lissitsky and Ilya Ehrenburg: Statement by the editors of Veshch 1922. -- LEF editorial: 'Whom is LEF alerting?' 1923. -- Osip Brik: 'The So-Called "Formal Method" 1923. -- Osip Brik: 'From Picture to Calico-Print' 1924. -- Vladimir Tatlin: 'Report of the Section for Material Culture's Research Work' 1924. -- Part IV: Freedom, Responsibility and Power. -- Introduction. -- 9. The Modern as Ideal. -- Paul Klee: from On Modern Art 1924. -- Amédée Ozenfant: from Foundations of Modern Art 1928. -- Hans Hofmann: 'On the Aims of Art' 1931. -- Abstraction-Création: Editorial Statements 1932 and 1933. -- Wladyslaw Strzeminski: Statements 1932 and 1933. -- Carl Gustav Jung: On the concept of the 'archetype' 1934 and 1938. -- Alfred H. Barr Jr: from Cubism and Abstract Art 1936. -- Henri Matisse: Statements to Tériade 1936. -- Naum Gabo: 'The Constructive Idea in Art' 1937. -- Piet Mondrian: 'Plastic Art and Pure Plastic Art' 1937. -- Barbara Hepworth: 'Sculpture' 1937. -- American Abstract Artists: Editorial Statement 1938. -- Ibram Lassaw: 'On Inventing Our Own Art' 1938. -- Ben Nicholson: 'Notes on Abstract Art' 1941. -- 10. Realism as Figuration. -- Vladimir Ilyich Lenin: 'On Proletarian Culture’; 1920. -- AKhRR: 'Declaration' 1922. -- AKhRR: 'The Immediate Tasks of AKhRR' 1924. -- David A. Siqueiros et al: 'A Declaration of Social, Political and Aesthetic Principles' 1922. -- Red Group: 'Manifesto' 1924. -- Otto Dix: 'The Object is Primary' 1927. -- ARBKD (Asso): 'Manifesto' and 'Statutes' 1928. -- George Grosz: from 'My Life' 1928. -- Alfred Rosenberg: from The Myth of the Twentieth Century 1930. -- Georg Lukács: '"Tendency" or Partisanship?' 1932. -- Central Committee of the All-Union Communist Party: 'Decree on the Reconstruction of Literary and Artistic Organizations' 1932. -- John Reed Club of New York: 'Draft Manifesto' 1932. -- Diego Rivera: The Revolutionary Spirit in Modern Art' 1932. -- Mario Sironi: 'Manifesto of Mural Painting' 1933. -- Andrei Zhdanov: 'Speech to the Congress of Soviet Writers' 1934. -- David A. Siqueiros: 'Towards a Transformation of the Plastic Arts' 1934. -- Stuart Davis and Clarence Weinstock: 'Abstract Painting in America', 'Contradictions in Abstractions' and 'A Medium of 2 Dimensions' 1935. -- Grant Wood: from Revolt Against the City 1935. -- Francis Klingender: 'Content and Form in Art' 1935. -- Adolf Hitler: Speech Inaugurating the 'Great Exhibition of German Art' 1937. -- 11. Realism as Critique. -- Leon Trotsky: from Literature and Revolution 1922-23. -- André Breton: from the First Manifesto of Surrealism 1924. -- Louis Aragon: from Paris Peasant 1924. -- Louis Aragon et al. -- 'Declaration of the Bureau de Recherches Surréalistes' 1925. -- André Breton: Surrealism and Painting 1928. -- André Breton: from the 'Second Manifesto of Surrealism' 1929. -- George Grosz and Wieland Herzfelde: 'Art is in Danger' 1925. -- Osip Brik: 'Photography versus Painting’; 1926. -- Sergei Tretyakov: 'We are searching' and 'We Raise the Alarm' 1927. -- Siegfried Kracauer: from 'The Mass Ornament' 1927. -- October (Association of Artistic Labour):'Declaration' 1928. -- Georges Bataille: from 'Critical Dictionary' 1929-30. -- Georges Bataille: 'The Lugubrious Game' 1929. -- Salvador Dali: 'The Stinking Ass' 1930. -- Gustav Klucis: 'Photomontage as a new problem in Agit Art' 1931. -- Max Ernst: 'What is Surrealism?' 1934. -- Walter Benjamin: 'The Author as Producer' 1934. -- Bertolt Brecht: 'Popularity and Realism' 1938. -- Fernand Léger: 'The New Realism Goes On' 1937. -- 12. Modernism as Critique. -- Kasimir Malevich: Letter to Meyerhold 1932. -- Pablo Picasso: 'Conversation with Picasso' 1935. -- Herbert Read: 'What is Revolutionary Art?' 1935. -- Meyer Schapiro: 'The Social Bases of Art' 1936. -- Jan Mukařvoský: from Aesthetic Function 1934/36. -- Walter Benjamin: 'The Work of Art in the Age of Mechanical Reproduction' 1936. -- Theodor Adorno: Letter to Benjamin 1936. -- Ernst Bloch: 'Discussing Expressionism' 1938. -- André Breton, Diego Rivera and Leon Trotsky: 'Towards a Free Revolutionary Art' 1938. -- R. G. Collingwood: Good Art and Bad Art' 1938. -- Clement Greenberg: 'Avant-Garde and Kitsch' 1939. -- Harold Rosenberg: 'The Fall of Paris' 1940. -- Part V: The Individual and the Social. -- Introduction. -- 13. The American Avant-Garde. -- Clement Greenberg: 'Towards a Newer Laocoon' 1940. -- Adolph Gottlieb and Mark Rothko with Barnett Newman: Statement 1943. -- Jackson Pollock: Answers to a Questionnaire 1944. -- Jackson Pollock: Two Statements 1947 and 1947/8. -- Mark Rothko: 'The Romantics were Prompted...' 1947. -- Mark Rothko: Statement 1947. -- Adolph Gottlieb: Statement 1947. -- Barnett Newman: 'The Ideographic Picture' 1947. -- Barnett Newman: 'The First Man was an Artist' 1947. -- Clement Greenberg: 'The Decline of Cubism' 1948. -- Barnett Newman: 'The Sublime is Now' 1948. -- Willem de Kooning: 'A Desperate View' 1949. -- Jackson Pollock: Interview with William Wright 1950. -- David Smith: 'Aesthetics, the Artist and the Audience' 1952. -- Clyfford Still: Statement 1952. -- Harold Rosenberg: from 'The American Action Painters' 1952. -- Clyfford Still: letter to Gordon Smith 1959. -- 14. Individualism in Europe. -- Wols: Aphorisms c. 1945-51. -- Jean-Paul Sartre: from Existentialism and Humanism 1946. -- Jean Dubuffet: 'Notes for the Well-Lettered' 1946. -- Jean Dubuffet: 'Crude Art Preferred to Cultural Art' 1948. -- Antonin Artaud: from Van Gogh: the Man Suicided by Society 1947. -- Jean-Paul Sartre: 'The Search for the Absolute' 1948. -- Samuel Beckett and Georges Duthuit: from Three Dialogues 1949. -- Jacques Lacan: 'The Mirror-Phase as Formative of the Function of the I' 1949. -- Jean-Michel Atlan: 'Abstraction and Adventure in Contemporary Art' 1950. -- Francis Ponge: 'Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti' 1951. -- Albert Camus: 'Creation and Revolution' 1951. -- Michel Tapié: from An Other Art 1952. -- Georg Baselitz: 'Pandemonium Manifestos' 1961-2. -- Francis Bacon: Interview with David Sylvester 1962-3. -- 15. Art and Society. -- Maurice de Vlaminck: 'Open Opinions on Painting' 1942. -- Francis Klingender: from Marxism and Modern Art 1943. -- Robert Motherwell: 'The Modern Painter's World' 1944. -- Renato Guttuso: 'Crisis of Renewal' 1944. -- Pablo Picasso: 'Why I Joined the Communist Party' 1944. -- Pablo Picasso: Statement to Simone Téry 1945. -- Frida Kahlo: On Moses 1945. -- Lucio Fontana: 'The White Manifesto' 1946. -- Vladimir Kemenov: from 'Aspects of Two Cultures' 1947. -- Robert Motherwell and Harold Rosenberg: 'The Question of What Will Emerge Is Left Open' 1947/8. -- Constant: 'Our Own Desires Build the Revolution' 1949. -- Asger Jorn: 'Forms Conceived as Language' 1949. -- André Fougeron: 'The Painter on his Battlement' 1948. -- Hans Sedlmayr and Theodor Adorno: from the 'Darmstadt Colloquy' 1950. -- George Dondero: from The Congressional Record 1949. -- Arthur M. Schlesinger Jr. from The Politics of Freedom 1950. -- Alfred H. Barr Jr. 'Is Modern Art Communistic?' 1952. -- Ben Shahn: 'The Artist and the Politician' 1953. -- Henry Moore: 'The Sculptor in Modern Society' 1952. -- David A. Siqueiros: 'Open Letter to the Painters, Sculptors and Engravers of the Soviet Union' -- 1955. -- Georg Lukács: 'The Ideology of Modernism' 1956. -- Part VI: The Moment of Modernism. -- 16. Art and Modern Life. -- Roland Barthes: from 'Myth Today' 1956. -- Jirô Yoshihara: Gutai Manifesto 1956. -- Guy Debord: Writings from the Situationist International 1957-61. -- Asger Jorn: 'Detourned Painting' 1959. -- Frantz Fanon: 'On National Culture' 1959. -- Lawrence Alloway: 'The Arts and the Mass Media' 1958. -- Allan Kaprow: from Assemblages, Environments and Happenings 1959-65. -- Piero Manzoni: 'Free Dimension' 1960. -- Pierre Restany: 'The New Realists' 1960. -- Groupe de Recherche d'Art Visuel: 'Transforming the Current Situation of Plastic Art' 1961/2. -- George Maciunas: 'Neo-Dada in Music, Theater, Poetry, Art' 1962. -- Raymond William: 'The Analysis of Culture' 1961. -- John Cage: 'On Robert Rauschenberg, Artist, and his Work' 1961. -- Jasper Johns: Interview with David Sylvester 1965. -- Richard Hamilton: 'For the Finest Art, Try Pop' 1961. -- Claes Oldenburg: from Documents from The Store 1961. -- Andy Warhol: Interview with Gene Swenson 1963. -- Roy Lichtenstein: Lecture to College Art Association 1964. -- George Kubler: from The Shape of Time 1962. -- Marshall McLuhan: from Understanding Media 1964. -- Gerhard Richter: 'Notes 1964-5'. -- Tony Smith: from an interview with Samuel Wagstaff Jr 1966. -- Jasper Johns: Obituary of Marcel Duchamp 1968. -- 17. Modernist Art. -- Alain Robbe-Grillet: 'Commitment' 1957. -- David Smith: 'Tradition and Identity' 1959. -- Maurice Merleau-Ponty: from 'Eye and Mind' 1961. -- Roger Hilton: 'Remarks about Painting' 1961. -- Clement Greenberg: 'Modernist Painting' 1960-65. -- Theodor Adorno: from 'Commitment' 1962. -- Barnett Newman: Interview with Dorothy Gees Seckler 1962. -- Clement Greenberg: from 'After Abstract Expressionism' 1962. -- Michael Fried: from Three American Painters 1965. -- Michael Fried: from 'Shape as Form: Frank Stella's New Paintings' 1966. -- Jules Olitski: `Painting in Color' 1967. -- Stanley Cavell: 'A Matter of Meaning It' 1967. -- William Tucker and Tim Scott: 'Reflections on Sculpture' 1967. -- Richard Wollheim: 'The Work of Art as Object' 1970. -- Part VII: Institutions and Objections. -- Introduction. -- 18. Objecthood and Reductivism. -- Yves Klein: from 'The Evolution of Art towards the Immaterial' 1959. -- Carl Andre: 'Preface to Stripe Painting' 1959. -- Frank Stella: Pratt Institute Lecture 1959-60. -- Ad Reinhardt: 'Art as Art' 1962. -- Donald Judd: 'Specific Objects' 1965. -- Robert Morris: 'Notes on Sculpture 1-3' 1966-67. -- Michael Fried: 'Art and Objecthood' 1967. -- Sol LeWitt: 'Paragraphs on Conceptual Art' 1967. -- Sol LeWitt: 'Sentences on Conceptual Art' 1969. -- Robert Barry: Interview with Arthur R. Rose 1969. -- Joseph Kosuth: 'Art after Philosophy' 1969. -- Daniel Buren, Olivier Mosset, Michel Parmentier and Niele Toroni: Statement 1967. -- Daniel Buren: 'Beware' 1969-70. -- 19. Attitudes to Form. -- Terry Atkinson and Michael Baldwin: 'Air Show' 1967. -- Michelangelo Pistoletto: 'Famous Last Words' 1967. -- Robert Smithson: 'A Sedimentation of the Mind: Earth Projects' 1968. -- Robert Morris: 'Notes on Sculpture 4: Beyond Objects' 1969. -- Art & Language: Editorial introduction to Art-Language 1969. -- Ian Burn and Mel Ramsden: 'The Role of Language' 1969. -- Lawrence Weiner: Statements 1969-72. -- Victor Burgin: 'Situational Aesthetics' 1969. -- John A. Murphy: Sponsor's statement for 'When Attitudes become Form' 1969. -- Germano Celant: from Art Povera 1969. -- Eva Hesse: Interview with Cindy Nemser. -- Joseph Beuys: 'Not just a few are called, but everyone' 1972. -- Lea Vergine: from 'The Body as Language' 1974. -- Bruce Nauman: Interview with Michele De Angelus 1980. -- 20. Political Aspects. -- Hélio Oiticica: 'Appearance of the Supra-Sensorial' 1967/8. -- Dan Graham: Presentation to an Open Hearing of the Artworkers Coalition 1969. -- Mierle Laderman Ukeles: 'Maintenance Art Manifesto' c. 1969. -- Lucy Lippard: 'Interview with Ursula Meyer' 1969 and 'Postface' 1973. -- Artforum: 'The Artist and Politics: a Symposium' 1970. -- Art Workers Coalition: Statement of Demands 1970. -- Valie Export: 'Woman's Art' 1972. -- Joseph Beuys: 'I Am Searching for Field Character' 1974. -- Hans Haacke: Statement 1974. -- Marcel Broodthaers: 'To be bien pensant... or not to be. To be blind' 1975. -- Mel Ramsden: from 'On Practice' 1975. -- Ian Burn: 'The Art Market: Affluence and Degradation' 1975. -- Victor Burgin: from 'Socialist Formalism' 1976. -- Art & Language: Editorial to Art-Language 1976. -- 21. Critical Revisions. -- Jacques Derrida: from Of Grammatology 1967. -- Michel Foucault: 'What is an Author?' 1969. -- Louis Althusser: from 'Ideology and Ideological State Apparatuses' 1970. -- Thomas Kuhn: from 'Postscript – 1969' 1970. -- Roland Barthes: 'From Work to Text' 1971. -- Robert Smithson: 'Cultural Confinement' 1972. -- Leo Steinberg: from Other Criteria 1968-72. -- Rosalind Krauss: 'A View of Modernism' 1972. -- Jean Baudrillard: 'Ethic of Labour, Aesthetic of Play' 1973. -- Laura Mulvey: 'Visual Pleasure and Narrative Cinema' 1973/75. -- Michel Foucault: A Lecture 1976. -- Rosalind Krauss: 'Notes on the Index, Part I' 1976/77. -- Fredric Jameson: from 'Reflections on the Brecht-Lukács Debate' 1977. -- Raymond Williams: 'Dominant, Residual and Emergent' 1977. -- Edward Said: From Orientalism 1978. -- Part VIII: Ideas of the Postmodern. -- Introduction. -- 22. The Critique of Originality. -- Jean Baudrillard: 'The Hyper-realism of Simulation' 1976. -- Pierre Bourdieu: 'Being Different' 1977. -- Craig Owens: 'The Allegorical Impulse' 1980. -- Rosalind Krauss: from 'The Originality of the Avant-Garde' 1981. -- Hal Foster: 'Subversive Signs' 1982. -- Sherrie Levine: Statement 1982. -- Art & Language: 'Letter to a Canadian Curator' 1982. -- Barbara Kruger: '"Taking" Pictures' 1982. -- Peter Halley: 'Nature and Culture' 1983. -- Fredric Jameson: 'The Deconstruction of Expression' 1984. -- Haim Steinbach, Jeff Koons, Sherrie Levine, Philip Taaffe, Peter Halley, Ashley Bickerton: 'From Criticism to Complicity' 1986. -- Julia Kristeva: Interview with Catherine Francblin 1986. -- 23. Figures of Difference. -- Edward Said: from 'Opponents, Audiences, Constituencies, and Community' 1981. -- Mary Kelly: 'Re-Viewing Modernist Criticism' 1981. -- Ana Mendieta: 'Art and Politics' 1982. -- Krzysztof Wodiczko: 'Public Projection' 1983. -- Victor Burgin: from 'The Absence of Presence' 1984. -- Jacqueline Rose: 'Sexuality in the Field of Vision' 1984/85. -- Niklas Luhmann: 'The Work of Art and the Self-Reproduction of Art' 1984-86. -- W. J. T. Mitchell: 'Image and Word' and 'Mute Poesy and Blind Painting' 1986. -- Raymond Williams: 'When was Modernism?' 1987/89. -- Louise Bourgeois: Statements from an Interview with Donald Kuspit 1988. -- Richard Rorty: 'Private Irony and Liberal Hope' 1989. -- Gayatri Chakravorti Spivak: 'Who Claims Alterity?' 1989. -- Richard Serra: The Yale Lecture 1990. -- Mike Kelley: 'Dirty Toys: Mike Kelley Interviewed' 1991/2. -- Martin Kippenberger: Interview with Jutta Koether 1991/94. -- Peter Wollen: 'Into the Future: Tourism, Language and Art' 1990/93. -- Homi K. Bhabha: On 'hybridity' and moving 'beyond' 1994. -- 24. The Condition of History. -- Daniel Bell: from 'Modernism and Capitalism' 1978. -- Jean-Francois Lyotard: 'Introduction' to The Postmodern Condition 1979. -- Jürgen Habermas: 'Modernity - An Incomplete Project' 1980. -- Jean-Francois Lyotard: 'What is Postmodernism?' 1982. -- Julia Kristeva: 'Powers of Horror' 1980. -- Donald Judd: from '... not about master-pieces but why there are so few of them' 1984. -- Joseph Beuys, Jannis Kounellis, Anselm Kiefer, Enzo Cucchi: from 'The Cultural-Historical Tragedy of the European Continent' 1986. -- Gerhard Richter: from 'Interview with Benjamin Buchloh' 1988. -- Gerhard Richter: Notes 1990. -- Jeff Wall: from a discussion 1990. -- Diederich Diederichsen: 'Which Side are You on, Cultural Worker?' 1990. -- Albert Oehlen: in conversation with Wilfred Dickhoff and Martin Prinzhorn 1991. -- Olu Oguibe: 'In the Heart of Darkness' 1993. -- IIlya Kabakov: On installations 1994 and 2000. -- Doris Salcedo: Interview with Charles Merewether 1999. -- Franco Moretti: 'MoMA2000: The Capitulation' 2000. -- Bibliography. -- Copyright Acknowledgements. -- Index.