000 02250cam a2200313 a 4500
001 9934640983804341
003 OSt
005 20221214155740.0
008 020712s2002 enk f000 0 eng
015 _aGBA2-V6420
016 7 _a1854373897
_2Uk
020 _a1854373897
035 _a(Uk)gb A20V6420
035 _a721142
035 _a3464098
035 _a(StEdNL)3464098-nlsdb-Voyager
040 _aBDS
_cBDS
_dUk
100 1 _aCollings, Matthew.
_921044
245 1 0 _aSarah Lucas /
_cMatthew Collings.
260 _aLondon :
_bTate,
_c2002.
263 _a200210
300 _a128 p. :
_bcol. ill. ;
_c27cm.
440 0 _aModern artists series
_916851
504 _aIncludes bibliographical references and index.
505 _a1. Let there be lite : Penis nailed to a board, 1992 -- 2. Philosophy of rude : Two fried eggs and a kebab, 1992 -- 3. Art history : Get hold of this, 1994-5 -- 4. Admire own self : Self portraits, 1990-1998, 1999 -- 5. Oh no, not sex and death again : Bunny gets snookered, 1997 -- 6. Beauty : Life's a drag (organs), 1998.
520 _aWitty and accessible, Collings' book provides a thorough overview of the life and work of one of the most important artists working in Britain today. Previous books by Collings include 'The London Artworld from Francis Bacon to Damien Hirst', 'It Hurts', 'This is Modern Art' and 'Art Crazy Nation'. ; Sarah Lucas is one of the best known of the so-called young British artists that came to prominence in the 1990s. Active in a variety of media including sculpture, photography and installation, her perennial themes of sex, death, and gender are laced with a bleak humour that gives her work a distinctive and instantly recognisable voice.;In the first monograph to be published on Lucas, Matthew Collings explores the issues relating to her art and ideas and the historical moment they inhabit. Six key works are examined in depth. The text intends to be witty and accessible, Collings provides a thorough overview of the life and work of one of the most important artists working in Britain today.;This title forms part of Tate Publishing's new "Modern Artists" series.
600 1 0 _aLucas, Sarah
_xCriticism and interpretation.
_930638
942 _2ddc
_cBOOK
999 _c18284
_d18284