000			03220pam a2200445 i 4500
001			9951115983804341
003			OSt
005			20241016135254.0
008			130821s2013 enka b 000 0 eng d
015			_aGBB380493 _2bnb
020			_a9781849760904
035			_a(UkOxU)019583535
035			_a(Uk)016490288
035			_a(StEdALDL)1/3093356
035			_a2984978
035			_a5111598
035			_a(StEdNL)5111598-nlsdb-Voyager
040			_aStDuBDS _beng _cStDuBDS _erda _dUkOxU
042			_aukscp
245	1	0	_aMira Schendel / _cedited by Tanya Barson and Taisa Palhares.
264		1	_aLondon : _bTate Publishing ; _bPinacoteca do Estado de São Paulo, _c2013.
300			_a256 pages : _billustrations (chiefly colour) ; _c27 cm
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
500			_aPublished on the occasion of the exhibition Mira Schendel, held at Tate Modern, London, 25 September 2013-19 January 2014, Fundação de Serralves - Museu de Arte Contemporânea, Porto, 28 February-24 June 2014, and Pinacoteca do Estado de São Paulo, São Paulo, 24 July-19 October 2014.
504			_aIncludes bibliographical references (pages 240-241).
505			_aNote: Living in between: Mira Schendel's Poetics / Taisa Palhares -- Mira Schendel, Signals London and the Language of Movement / Tanya Barson -- Mira Schendel in Dialogue with Vilem Flusser: Language and Reality / Caue Alves -- The Other World Is This: Mira Schendel's Participation in the 10th Bienal de São Paulo, 1969 / Isobel Whitelegg -- Mira Schendel's Immanence / John Rajchman -- Works -- Mira Schendel Statement -- Interview with Mira Schendel Mira Schendel, Painter: Empty Space Moves Me Deeply / Jorge Guinle -- Interview with Haroldo de Campos / Sonia Salzstein.
520			_aBorn Myrrha Dagmar Dub (1919), in Switzerland, Mira Schendel studied art and philosophy in Italy during the 1930s before eventually emmigrating to Brazil in 1949, where she made the majority of her life's work - painting, drawing, graphic design and sculpture. Participating in the first Sao Paulo Biennial in 1951, Schendel soon found herself among the intellectual elite and began to show her work frequently. Her early paintings, in dense tones and textured surfaces, stood apart from the prevailing Concretist movement and suggested dissatisfaction with pictorial means. Her work is characterised by a variation in materials, from plaited and twisted rice paper, to acrylic paintings, to black and white temperas, and a series of paintings using brick dust. This volume looks at her work.
600	1	0	_aSchendel, Mira, _d1919-1988 _vExhibitions. _931333
650		0	_aPainting, Brazilian _y20th century _vExhibitions. _931334
650		0	_aArt, Brazilian _y20th century _vExhibitions. _920605
700	1		_aBarson, Tanya, _eeditor _922134
700	1		_aPalhares, Taisa Helena P., _eeditor _931335
710	2		_aTate Modern (Gallery), _ehost institution
710	2		_aFundação de Serralves (Portugal), _ehost institution _931336
710	1		_aSão Paulo (Brazil : State). _bPinacoteca do Estado. _ehost institution _931337
942			_2ddc _cBOOK
999			_c19188 _d19188