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008 030320s2003 xxua 001 0 eng
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_qhardback
035 _a(UK-LoUA)189836
040 _aBDS
_beng
_erda
_cUK-LoUA
_dUK-LoUA
041 1 _aeng
_afre
100 1 _aDidi-Huberman, Georges
_9409942
240 1 0 _aInvention de l'hysterie.
_lEnglish
245 1 0 _aInvention of hysteria :
_bCharcot and the photographic iconography of the Salpêtrière /
_cGeorges Didi-Huberman; translated by Alisa Hartz.
264 1 _aCambridge, Mass. ;
_aLondon :
_bMIT,
_c2003.
300 _axii, 373 pages :
_billustrations ;
_c26 cm
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 _aI. Spectacular Evidence -- 1. Outbreaks -- 2. Clinical Knowledge -- 3. Legends of Photography -- 4. Thousand Forms, In None -- II. Charming Augustine -- 5. Auras -- 6. Attacks and Exposures -- 7. Repetitions, Rehearsals, Staging -- 8. Show-Stopper -- App. 1. "Living Pathological Museum" -- App. 2. Charcot's Clinical Lectures -- App. 4. Preface to the Photographic Journal of the Hospitals of Paris -- App. 5. Preface to the Iconographie photographique de la Salpetriere (vol. I) -- App. 6. Preface to the Iconographie photographique de la Salpetriere (vol. II) -- App. 7. Photographic Platform, Headrest, and Gallows -- App. 8. "Observation" and the Photograph at the Salpetriere -- App. 9. "Photographic Card" at the Salpetriere -- App. 10. Technique of Forensic Photography -- App. 11. Portrait's Veil, the Aura -- App. 12. "Auracular" Self-Portrait -- App. 13. Aura Hysterica (Augustine) -- App. 14. Explanation of the Synoptic Table of the Great Hysterical Attack -- App. 15. "Scintillating Scotoma" -- App. 16. Cure or Experimentation? -- App. 17. Gesture and Expression: Cerebral Automatism -- App. 18. Tableau Vivant of Cataleptics -- App. 19. Provoked Deliria: Augustine's Account -- App. 20. Theatrical Suggestion -- App. 21. Somnambular Writing -- App. 22. How Far Does Hypnotic Suggestion Go?
520 _aIn this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere.As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical type--they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's Tuesday Lectures.Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite cases, that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
546 _aTranslated from the French.
610 2 0 _aSalpêtrière (Hospital)
_9374865
650 0 _aFacial expression
_xHistory.
_937171
650 0 _aHysteria
_xHistory.
_937172
650 0 _aMental illness.
_9236269
700 1 _aCharcot, J. M.
_q(Jean Martin),
_d1825-1893
_9382468
942 0 0 _2ddc
_cBOOK
999 _c20794
_d20794