000			04845cam a2200373 i 4500
001			ocn942885335
003			OCoLC
005			20220914151504.0
008			160226s2016 enk b 001 0 eng
010			_a 2016009502
020			_a9780262529358 _qpaperback
020			_a0262529351 _qpaperback
020			_a9780854882496 _cpaperback
020			_a0854882499 _cpaperback
130	0		_aAnimals. _937755
245	1	0	_aAnimals / _cedited by Filipa Ramos.
264		1	_aLondon ; _aCambridge, MA : _bWhitechapel Gallery, The MIT Press, _c2016.
300			_a236 pages ; _c21 cm.
336			_atext _btxt _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
490	1		_aDocuments of contemporary art
504			_aIncludes bibliographical references (pages 226-231) and index.
505	0		_aIntroduction: Art across species and being / Filipa Ramos -- FABLES. Some animals, 2016 / Joan Jonas -- The ant and the reclining beauty, 2013 / Michael Stevenson and Jan Verwoert -- Death park, 2010 / Maria Fusco -- True dog stories, 1930 / Walter Benjamin -- Of cats, dreams and interior knowledge, 1989 / Carolee Schneemann -- The octopus in love, 2014 / Chus Martinez -- The definitively unfinished taxonomy of Marcel Dzama's archetypes and themes, 2013 / Bradley Bailey -- Pense-bête, 1963-64 / Marcel Broodthaers -- Still more changes, 1929 / Henri Michaux -- Human problems, 2006 / Hari Kunzru -- A pig's life, 2003 / Ingo Niermann -- The story of a bear-lady in a sand cave, 2011 / Haegue Yang -- Oh the animals of language, 2014 / Jean-Luc Nancy -- GAZES. Why look at animals, 1977 / John Berger -- Chessboards and brambles, 2013 / Vincent Normand -- Oh, tongue, 2003 / Simone Forti -- The paradox of the phasmid, 1998 / Georges Didi-Huberman -- Taxonomies, 2002 / Giorgio Agamben -- The animal that therefore I am, 2006 / Jacques Derrida -- The illumination of the animal kingdom: The role of light and electricity in animal representation, 2001/ Jonathan Burt -- From hypnosis to animals, 2009 / Raymond Bellour -- A global cinematic zone of animal and technology / Seung-Hoon Jeong -- The one you feed: Stories and images in the work of Rodel Tapaya, 2015 / David Elliott -- Hurting horses, 2005 / Robert Morris -- The post-human animal, 2015 / Ana Teixeira Pinto.
505	0		_aMUTATIONS. Percept, affect, concept / Gilles Deleuze and Félix Guattari -- Of humans, animals and monsters, 2005 / Christoph Cox -- Becoming something else, 2014 / Marcus Coates -- What is it like to be a bat?, 1974 / Thomas Nagel -- Cosmological deixis and Amerindian perspectivism, 1998 / Eduardo Viveiros de Castro -- Creatures, 1960 / Lygia Clark -- Lea Porsager squirming her way through Gurdjieff's work with a certain impoliteness, 2013 / Milena Hoegsberg -- Great apes, 1997 / Will Self -- Sailor, 2013 / Maria Fusco -- Mémoires de la jungle, 2010 / Tristan Garcia -- Unbecoming, animal, 2015 / Mitchell Akiyama -- The matter and meaning of museum taxidermy, 2008 / Rachel Poliquin -- Is humour human?, 2012 / Simon Critchley -- The hands of Beuys and Heidegger, 2000 / Steve Baker -- STRUGGLES. The meaning is confused spatially, framed, 1999 / Mike Kelley -- The supernormal animal, 2015 / Brian Massumi -- Outfitting the laboratory of the symbolic, 2008 / Claire Pentecost -- Companion species manifesto: Dogs, people and significant otherness, 2003 / Donna J. Haraway -- Dogs and the city, 2010 / Miwon Kwon -- A race of wolves, 2014 / Carla Freccero -- The tiger and the theodolite: George Coleman's dream of extinction, 2007 / Kevin Chua -- Birds, 1997 / Jimmie Durham -- The great silence, 2015 / Allora & Calzadilla and Ted Chiang -- The new left within heterotopia, 2014 / Chan Koonchung.
520			_aAnimals have become the focus of much recent art, informing numerous works and projects featured at major exhibitions. Contemporary art has become a privileged terrain for exploring interspecies relationships, providing the conditions for diverse disciplines and theoretical positions to engage with animal behaviour and consciousness. Artists' engagement with animals opens up new perspectives on the dynamics of dominance, oppression and exclusion, with parallels in human society; and animal nature is at the heart of debates on the 'anthropocene' era and the ecological concerns of scientists, thinkers and artists alike. Centred on contemporary artworks, this anthology attests to the trans-disciplinary nature of this subject, with art as one of its principal points of convergence.
650		0	_aAnimals in art. _95797
650		0	_aAnimals and civilization.
650		0	_aArt, Modern _y20th century _915125
650		0	_aArt, Modern _y21st century _919963
700	1		_aRamos, Filipa, _eeditor. _937756
830		0	_aDocuments of contemporary art series.
942			_2ddc _cBOOK
999			_c21175 _d21175