000 | 01920cam a22003138a 4500 | ||
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001 | 9937468943804341 | ||
003 | OSt | ||
005 | 20221208144939.0 | ||
008 | 040112t20042002enk 000 0 eng | ||
015 | _aGBA4-Y8648 | ||
016 | 7 |
_a0500284652 _2Uk |
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020 | _a0500284652 | ||
020 | _a9780500284650 | ||
035 | _a(Uk)gb A40Y8648 | ||
035 | _a929372 | ||
035 | _a(StEdNL)3746894-nlsdb-Voyager | ||
040 |
_aStDuBDS _cStDuBDS _dUk |
||
100 | 1 |
_aLewis-Williams, J. David. _935289 |
|
245 | 1 | 4 |
_aThe mind in the cave : _bconciousness and the origins of art / _cDavid Lewis-Williams. |
260 |
_aLondon : _bThames & Hudson, _c2004, c2002. |
||
300 |
_a320 p. : _bill. (some col.) ; _c24cm. |
||
504 | _aIncludes bibliographical references (pages 299-314) and index. | ||
505 | _aPreface -- Three caves : three time-bytes -- Discovering human antiquity -- Seeking answers -- Creative illusion -- Matter of the mind -- Case study 1 : Southern African San rock art -- Case study 2 : North American rock art -- Origin of image-making -- Cave in the mind -- Cave and community -- Cave and conflict -- Envoi. | ||
520 | _aThe breathtakingly beautiful art created deep inside the caves of western Europe in the late Ice Age provokes awe and wonder in equal measure. What do these animals and symbols, depicted on the walls of caves such as Lascaux, Chauvet, and Altamira, tell us about the nature of the ancestral mind? How did these images spring, sophisticated and fully formed, seemingly from nowhere, into the human story? David Lewis-Williams skillfully interweaves a lifetime of anthropological research with the most recent neurological insights to offer a convincing account of how we became human and, in the process, began to make art. | ||
650 | 0 |
_aCave paintings _xHistory _yTo 1500. _935290 |
|
650 | 0 |
_aArt, Prehistoric. _96324 |
|
650 | 0 |
_aArt and anthropology. _922675 |
|
942 |
_2ddc _cBOOK |
||
999 |
_c22276 _d22276 |