000			01671pam a22003015a 4500
001			9928712563804341
003			OSt
005			20231124154641.0
008			990628s1999 enkac 001 0 eng
015			_aGB99-46910
020			_a9780701168827
020			_a070116882X
035			_a(Uk)gb 99046910
035			_a0161-06060
035			_a186487
035			_a(StEdNL)2871256-nlsdb-Voyager
040			_aWlAbNL _cWlAbNL _dUk
100	1		_aHall, James, _d1918- _934764
245	1	4	_aThe world as sculpture : _bthe changing status of sculpture from the Renaissance to the present day / _cJames Hall.
260			_aLondon : _bChatto & Windus, _c1999.
300			_axii, 435 p. : _bill., ports. ; _c24 cm.
504			_aIncludes bibliography and index.
505			_aPt. 1. The Limited Art. 1. The Image of the Artist. 2. Self-Portraiture. 3. Sculpture in the Round: The Tiresome Art. 4. Sight versus Touch. 5. Sculpture and Language. 6. Sculpture and Colour. 7. The Classical Ideal and Sculpture's Lack of Modernity -- Pt. 2. The Art of Modernity. 8. Worker-Artists i: Courbet to Picasso. 9. Worker-Artists ii: Duchamp to Now. 10. Beyond Relief. 11. The Education of the Senses i: Child's Play. 12. The Education of the Senses ii: Hollows and Bumps in Space. 13. Loving Objects. 14. Beyond Photography. Aftermath: The Universe as Sculpture?
520			_aThis dazzling cultural history, delving back through the centuries, sets out to answer a baffling question - how has sculpture, for so long the lesser art come to take a leading role today?
650		0	_aSculpture _xHistory.
650		0	_aSculpture _xAppreciation _xHistory. _925244
942			_2ddc _cBOOK
999			_c23629 _d23629