000 | 05825nam a22008537a 4500 | ||
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003 | OSt | ||
005 | 20240502121732.0 | ||
008 | 240502b |||||||| |||| 00| 0 eng d | ||
020 |
_a9781849768832 _qpaperback |
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020 |
_a9781849768955 _qhardback |
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100 |
_aSidlina, N. Z. _eeditor _q(Natalʹi︠a︡ Zinovʹevna) _931193 |
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245 |
_aExpressionists : _bKandinsky, Münter and the Blue Rider / _cedited by Natalia Sidlina; with contributions by Genevieve Barton [et al.]. |
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260 |
_aLondon : _bTate Publishing, _c2024. |
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300 |
_a239 pages : _billustrations ; _c28 cm. |
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500 | _aPublished on the occasion of the exhibition held at Tate Modern, London, 25 April - 20 October 2024. | ||
504 | _aInlcudes bibliographical references and index. | ||
505 |
_aIntroduction: _tFor example, the Blue Rider / _rNatalia Sidlina |
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505 |
_aTIMES AND PLACES _tThe possibilities of place / _rDorothy Price |
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505 |
_tUnsettling images: Gabriele Münter's photographs of America / _rEmily Christensen |
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505 |
_tJourney back by North-East / _rNatalia Sidlina |
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505 |
_tDestination: Schwabing, Munich / _rAnne Grasselli |
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505 |
_tCapturing complexity: Gabriele Münter's photographs of Tunisia / _rEmily Christensen |
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505 |
_tParis: the splendours and miseries / _rAnne Grasselli |
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505 |
_tMurnau: place of encounter and discussions / _rAnne Grasselli |
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505 |
_tOdesa and the Second Izdebsky Salon / _rOksana Oliinyk |
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505 |
_aRELATIONSHIPS _tThe imperious brush: interrogating Expressionist relations / _rBibiana K. Obler |
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505 |
_tThe French connection / _rKimberly A. Smith |
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505 |
_tElse Lasker-Schüler and Franz Marc's mail art / _rKimberly A. Smith |
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505 |
_tReiterinnen: women riders / _rKimberly A. Smith |
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505 |
_tMarianne Werefkin: 'Noble wild lad' / _rCharlotte de Mille |
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505 |
_tFritz Burger: the art historical connection / _rKimberly A. Smith |
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505 |
_aSTUDIO PRACTICE _t'In defiance of their times': the Blue Rider project / _rMatthias Mühling |
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505 |
_tTwo paths, a single goal: he great abstraction and the great realism / _rMelanie Vietmeier |
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505 |
_t'More seriously than all the public galleries': the liberating properties of children's art / _rMelanie Vietmeier |
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505 |
_tThe Blue Rider and reverse glass painting / _rMelanie Vietmeier |
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505 |
_tThe secret life of things: a portfolio of 'children's pictures' / _rMelanie Vietmeier |
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505 |
_t'May 1913 bring you joy!': Gabriele Münter's prints and Der Sturm / _rMelanie Vietmeier |
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505 |
_t'Dissonances in art': music and the Blue Rider / _rCharlotte de Mille |
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505 |
_aNETWORKING _tWithout borders: the dynamics of the Blue Rider's artists' networks / _rIsabel Wünsche |
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505 |
_tWerefkin and her salon / _rNiccola Shearman |
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505 |
_tMünter and Kandinsky: joint travels - different experiences / _rMiriam Leimer |
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505 |
_tBernhard Koehler and the Sadlers / _rSebastian Borkhardt |
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505 |
_tMaria Franck-Marc: reflections on the First Exhibition of the Blue Rider / _rMiriam Leimer |
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505 |
_tThe Blaue Reiter Almanac: a collective endeavour / _rNiccola Shearman |
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505 |
_tHerwarth Walden and Der Sturm / _rSebastian Borkhardt |
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505 |
_aChronology / _rGenevieve Barton |
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505 |
_aBiographies / _rGenevieve Barton |
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520 | _aExpressionists is a story of friendships told through art – the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider. In the early twentieth century they came together to form, in their own words, ‘a union of various countries to serve one purpose’ – to transform modern art. Rallying around Wassily Kandinsky and Gabriele Münter these highly individual artists experimented with colour, sound and light, creating astonishingly bold and vibrant art – from Alexander Sacharoff’s freestyle performance to Gabriele Münter’s experimental photography, from Franz Marc’s innovative use of colour to the dramatic paintings of Marianne Werefkin. The exhibition catalogue features in-depth investigations of major themes and a wide variety of spotlight essays to shine a light on a remarkable artistic group: their travels and techniques, their interests and sources of inspiration, and the relationships that bound them together. The front cover showcases Franz Marc’s Tiger, 1912, and the back cover is printed with Gabriele Münter’s 1909 vivid portrait of her friend and fellow artist, Marianne Werefkin. | ||
600 |
_aKandinsky, Wassily, _d1866-1944 _922124 |
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600 |
_aLasker-Schüler, Else, _d1869-1945 _941647 |
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600 |
_aMarc, Franz, _d1880-1916 _941648 |
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600 |
_aMarc, Maria, _d1876-1955 _941649 |
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600 |
_aMünter, Gabriele, _d1877-1962 _941650 |
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600 |
_aWalden, Herwarth, _d1878-1941 _941651 |
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600 |
_aWerefkin, Marianne, _d1860-1938 _941652 |
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650 |
_aBlaue Reiter (Group of artists) _941653 |
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650 |
_aExpressionism (Art) _96761 |
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700 |
_aBarton, Genevieve _econtributor _941654 |
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700 |
_aBorkhardt, Sebastian, _d1984- _econtributor _941655 |
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700 |
_aChristensen, Emily _econtributor _941656 |
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700 |
_aDe Mille, Charlotte _econtributor _940110 |
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700 |
_aGrasselli, Anne _econtributor _941657 |
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700 |
_aLeimer, Miriam _econtributor _941658 |
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700 |
_aMühling, Matthias _econtributor _941659 |
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700 |
_aObler, Bibiana K. _econtributor _941660 |
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700 |
_aOliinyk, Oksana _econtributor _941661 |
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700 |
_aPrice, Dorothy C. (Dorothy Cilla) _d1969- _938255 _econtributor |
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700 |
_aShearman, Niccola _econtributor _941662 |
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700 |
_aSmith, Kimberly A. _econtributor _941663 |
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700 |
_aVietmeier, Melanie _econtributor _941664 |
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700 |
_dWünsche, Isabel _econtributor _941665 |
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710 |
_aTate Modern _931188 _ehost institution |
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942 |
_2ddc _cBOOK |
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999 |
_c27335 _d27335 |